Tonight at 6pm I take my turn playing on the Turner Williams Jr. MFA Show. I’ve been bugging Turner as regularly as we run into each other about playing together some day; that some day has finally arrived.
Monday April 25 6pm Turner Williams Jr. : MFA Thesis Exhibition and Performance Series Sella-Granata Gallery
109 Woods Hall
University of Alabama
Come check out Turner’s multi-layered collages and sculptures and his use of video feedback. I’ll be slinging banjo and other electronic implements of destruction/delight. Stay tuned for more musical guests at the exhibition through May 1.
The work is for 16 suspended cymbals and electronics. The cymbals are bowed and activated by dropping beans, rice and millet on them. Such amazing sounds! Greg described one part of it in rehearsal as “listening to a radio tuned between stations.” If you know and love that sound (you know who you are), then you’ll understand why I’m so excited about tonight’s performance. If you’re bewildered or intrigued, you should come hear this. You’ll never listen to your radio (or look at beans, rice and millet) the same way again.
I’m happy to perform as part of Friday’s Tide Talks XIII event. Tide Talks is a student-run lecture series. Each event spotlights four of the smartest, most passionate University of Alabama students you’re likely to encounter. The theme of Tide Talks XIII is “Ideas are Revolutionary.”
Tide Talks XIII
Friday November 20 7pm
Ferguson Center Theater
University of Alabama
I’ll be supporting the student speakers by performing music for banjo and electronics between talks. Vive la revolution!
I’m so excited to be part of Anthony Braxton’s week-long residency at the University of Alabama kicking off tonight with a free solo saxophone concert at the Bama Theatre and running through February 25th. Sonic Frontiers is presenting these events; visit their site for the full schedule of events. All events are free.
I’ll be performing on Friday’s concert as part of the Falling River Music Septet along with Anthony Braxton (reeds), Taylor Ho Bynum (brass), Andrew Raffo Dewar (soprano saxophone), Tim Feeney (percussion), Mary Halvorson (guitar) and Ingrid Laubrock (reeds). This is such an amazing lineup, and it’s just one of many throughout the 6-concert residency.
In preparation for this residency I’ve been listening to many Braxton recordings, starting with For Alto and moving through the entire Arista Records box set. I thought I had a grasp of Braxton’s work having heard selections here and there (likely beginning with the Muhal Richard Abrams duo on the Smithsonian Jazz compilation). But I was completely unprepared for both the amount of musical material and the incredible range represented: from ragtime and marching band music to post-bop solos and Sun Ra-like grooves, from the density of his music for four orchestras to the spare, spacey explorations on For Trio. And that barely gets us through the 1970s! I can’t think of another composer with such stylistic richness and diversity.
Percussionist Tim Feeney and violist Wendy Richman will premiere my Glacial Erratics for 1 or 2 sustaining instruments and electronics in a concert presented by the Birmingham Art Music Alliance. Also performing will be Osiris Molina on clarinet. The concert will feature works by Lori Ardovino, Monroe Golden, Joseph Landers, Adriana Perera, William Price and Ron Wray.
Wednesday January 21 7:30pm
Tim Feeney / Wendy Richman / Osiris J. Molina
Moody Music Building Recital Hall
University of Alabama, Tuscaloosa AL
I’ll be performing John Cage’s Variations III tomorrow night as part of a small group appearing on Tim Feeney’s concert honoring Lou Cohen. Cage’s score calls for dropping 42 sheets of transparent paper, each with a circle drawn on it. The performer finds the largest clump of overlapping circles and then counts the intersections. Above is a small Processing sketch I wrote to drop the circles for me. Reload the page to generate a new random placement of the circles.