The Hoover Library has a long history of presenting great concerts. I played there in person (how quaint!) in 2016, and have had my pieces played there by pianist Aron Kallay and the percussion group Iron Giant. Here’s a video of Iron Giant playing my Quartet 60x880120x208 for four metronomes:
Looking forward to trying the Nigori saké at Proper Saké in Nashville Friday night when I play a solo set for banjo and electronics. FMRL is presenting the event which also features Drunk Doctor. Nigori seems about right: unfiltered, slightly cloudy, a touch more texture…
This will by my first time sharing the stage with Jeff Barsky (Insect Factory) and a welcome reunion with Eric Hardiman (Rambutan). Rhizome looks like my kind of place–great concerts, residencies, exhibits, youth programs, and DIY workshops on everything from electronic instruments to fermentation to visual arts. In that spirit, I’ll be performing Crow Chases Red-tailed Hawk–a newer piece for invented instruments and live electronics– along with other works. No Appalachian banjo this time out.
Tomorrow I’ll be playing a house concert in the newly christened Gin Palace. I’ll perform a solo set for banjos with electronics, and Tim Feeney will play solo percussion. Special guests l’Artiste Ordinaire (Melissa Grey, David Morneau) will perform their work Photon Ecstasy.
October 10 8:00pm
House Concert with
l’Artiste Ordinaire (Melissa Grey, David Morneau), Tim Feeney, Holland Hopson
2120 6th Street
The piece is for open instrumentation: four or more performers using electronic and/or acoustic instruments. We chose to perform the sections in the following order: Foothills, Unmatched set of revolving doors, Cirrus – lock of hair, I Send the Rockets Up, Constant Interference. Download the score
I’m so happy to have an opportunity to play with Tim Perkis tonight. Tim will perform a solo set, then Andrew Raffo Dewar and I will join him for a set of improvisations. Tim will be playing his Touch Typing instrument featured in the video below. I first heard Touch Typing sometime in the 1990’s on the excellent Artificial Horizon recording with John Bischoff, so I’m looking forward to hearing Tim in person tonight.
Friday January 27 7:30pm Sonic Frontiers presents
with Andrew Raffo Dewar and Holland Hopson
Moody Music Hall, UA School of Music
810 Second Ave, Tuscaloosa AL
And, a new and wonderful discovery for this reviewer, Holland Hopson set his haunting vocals about a desolate landscape with “no road lead[ing] straight home” against layers of clawhammer banjo woven together via computer processing and a foot pedal.
Here are two reviews of Aron Kallay‘s recent performance of A History of Elevators in Film at the MicroFest Beyond 12 concert in Los Angeles. The first is by Paul Muller in Sequenza21 who calls the work
“…an engaging and highly musical work that presents a remarkable variety of moods and colors.”