I’m excited to premiere a new work for invented instruments and electronics on Saturday as part of the Birmingham New Music Festival. Crow Chases Red-tailed Hawk uses bullroarers and other instruments that make sound when swung overhead on the end of a string. I’ve been working on prototypes for these instruments–whistles, buzzers, hummers, swoopers–for the last few months and this will be their first public outing.
Birmingham New Music Festival
Mostly Improv Night
October 12, 2019 at 7PM
East Village Arts of Birmingham
7611 1st Ave N, Birmingham, AL 35206
I need help naming the instruments, so please come to the show, listen, and give me your best suggestions for names.
My new string quartet will be premiered at Chamber Music @ AEIVA. Carrier Hotel Victoria was written in response to Irene Grau‘s exhibit. Her work and mine both reference Alphonse Allais’ collection of monochromes, Album Primo Avrilesque. The quartet unfolds with each musician proceeding independently, as if reading through Allais’ book of colors—the resulting mixtures generating subtle variations of the monochromes.
I’ll be performing …about the size of a fist and located slightly to the left of… at the Birmingham New Music Festival electroacoustic concert.
Thursday October 18 7:00pm Birmingham New Music Festival
University of Alabama at Birmingham
Hulsey Recital Hall
950 13th Street South
The piece is an improvisation (composed instrument?) using a custom mapping of an off-the-shelf MIDI fader box (the Korg nanokontrol2 pictured above). The typical position information of each fader/knob is ignored in favor of gestural information about how the control is manipulated over time. This transforms the controls into virtual bellows on a pump organ or springs in a wind-up toy.
I’ll also share the stage with Geni Skendo and LaDonna Smith for an improvisation.
I’m playing at Barking Legs in Chattanooga tonight in an event co-hosted by the Shaking Ray Levi Society. I haven’t been there since 2001 with James Keepnews, so it’ll be great to return.
Sunday October 7 7:30pm
Barking Legs Theater 1307 Dodds Avenue
Along with playing some solo music for banjo and electronics, I’ll be collaborating with dancers and improvisers on a piece with video similar to the image above. I created the video my modeling the behavior of particles interacting with gravity using Processing. After the concert will be a short demo of my sensor-augmented banjo.
I’m participating in a panel discussion on unusual sound sources at Southern Sonic today. The panel is moderated by Dan Sharp and includes Andrew Raffo Dewar, Tim Feeney, Taylor Lee Shepherd and Rick Snow.
Saturday 5/12 2pm
Sonifying the Unlikely as a Practice in Contemporary Music and Sound Art Southern Sonic
Contemporary Arts Center
New Orleans LA
Aron Kallay will perform my piece A History of Elevators in Film today at Soundwaves in Santa Monica CA. The concert features selections from Beyond 12, Aron’s project for retuned and remapped keyboards.
Wednesday March 21
Beyond 12 Aron Kallay Soundwaves
Santa Monica Public Library
Martin Luther King Auditorium
601 Santa Monica Blvd
Santa Monica CA 90401
Aron will perform my piece A History of Elevators in Film
A History of Elevators in Film is for piano and electronics with the keys remapped to different pitches in real time as Kallay plays. Here’s video from a 2015 performance at LaGrange College
I contributed a track to the upcoming Elements Series :: Water compilation put together by Jasper Lee benefiting the Cahaba River. Seasick Records is hosting a release party on Thursday featuring Iron Giant Percussion Ensemble, Brad Davis, Liquid Gems & Jim Jim Bath Myst. Jim Fahy and I will also be playing as a duo.