This will by my first time sharing the stage with Jeff Barsky (Insect Factory) and a welcome reunion with Eric Hardiman (Rambutan). Rhizome looks like my kind of place–great concerts, residencies, exhibits, youth programs, and DIY workshops on everything from electronic instruments to fermentation to visual arts. In that spirit, I’ll be performing Crow Chases Red-tailed Hawk–a newer piece for invented instruments and live electronics– along with other works. No Appalachian banjo this time out.
I’m excited to premiere a new work for invented instruments and electronics on Saturday as part of the Birmingham New Music Festival. Crow Chases Red-tailed Hawk uses bullroarers and other instruments that make sound when swung overhead on the end of a string. I’ve been working on prototypes for these instruments–whistles, buzzers, hummers, swoopers–for the last few months and this will be their first public outing.
Birmingham New Music Festival
Mostly Improv Night
October 12, 2019 at 7PM
East Village Arts of Birmingham
7611 1st Ave N, Birmingham, AL 35206
I need help naming the instruments, so please come to the show, listen, and give me your best suggestions for names.
Here‘s an engaging snapshot of poet Hank Lazer. Hank and I have been collaborating for the last few years. We have three new pieces that will be released soon, and our multimedia version of his Brush Mind 2: Second Hand will be presented again this fall. Stay tuned for details.
My new string quartet will be premiered at Chamber Music @ AEIVA. Carrier Hotel Victoria was written in response to Irene Grau‘s exhibit. Her work and mine both reference Alphonse Allais’ collection of monochromes, Album Primo Avrilesque. The quartet unfolds with each musician proceeding independently, as if reading through Allais’ book of colors—the resulting mixtures generating subtle variations of the monochromes.
I’ll be performing …about the size of a fist and located slightly to the left of… at the Birmingham New Music Festival electroacoustic concert.
Thursday October 18 7:00pm Birmingham New Music Festival
University of Alabama at Birmingham
Hulsey Recital Hall
950 13th Street South
The piece is an improvisation (composed instrument?) using a custom mapping of an off-the-shelf MIDI fader box (the Korg nanokontrol2 pictured above). The typical position information of each fader/knob is ignored in favor of gestural information about how the control is manipulated over time. This transforms the controls into virtual bellows on a pump organ or springs in a wind-up toy.
I’ll also share the stage with Geni Skendo and LaDonna Smith for an improvisation.