Craig Hultgren will play the next concert on August 30 at 5:00pm. The concert stream will be at https://youtu.be/TMfXmS_yfAE Craig will perform a piece I wrote for him: Snakeskin (verso) for ecello and live electronics.
Tomorrow I’ll be joining friends in the Birmingham Art Music Alliance for a DIY Composers Concert featuring composer/performers playing their own compositions. I’ll be performing music for banjo, live electronics and voice. Also on the program are Raphael Crystal and Gaines Brake, Monroe Golden, Kenneth Kuhn, Kyle McGucken and area newcomer Geni Skendo.
Tuesday August 9 7pm BAMA “DIY” Concert
Unitarian Universalist Church of Birmingham
4300 Hampton Heights Dr
Birmingham AL 35209
DIY = Do It Yourself, of course
DIT = Do It Together (and in this case, Do It Tuesday)
Iron Giant Percussion will perform my work Quartet 60x88x120x208 for four metronomes at the Hoover Library Theatre tomorrow. The concert is part of a 20th anniversary celebration of the Birmingham Art Music Alliance. Quartet 60x88x120x208 was performed during BAMA’s first season of concerts (January 22, 1996). It’s one of my more widely performed compositions, but I don’t think it has been heard in Birmingham since then.
Thursday October 22, 8pm Gallery MC
549 W 52nd St, Fl 8th
New York, New York 10019
This concert is part of the Vox Novus Festival celebrating 15 years of work. Vox Novus and Circuit Bridges have teamed up with BAMA in a composer exchange (kind of like hostages, only composers are somewhat more demanding—requiring better food, more liquor—and not as susceptible to audio torture). The exchange began a few weeks ago with the Birmingham Art Music Alliance welcoming a contingent of NY-based composers for the Birmingham New Music Festival. This weekend Monroe Golden, Mark Lackey, Brian Moon, William Price and I are being hosted by Circuit Bridges.
I’ll be performing Alap Catfish Impala, a new piece for banjo voice and live electronics. It’s a mashup (or maybe a medley?) of clawhammer blues and just-tuned modal improvisations.
The Birmingham Art Music Alliance kicked off the Beyond 12, 2015 Tour featuring pianist Aron Kallay last night with a performance at the Hoover Library Theater. Aron will perform six more times through April 8. This tour features three premieres of pieces by Alabama-based composers including Monroe Golden, Brian Moon and myself.
My work is titled A History of Elevators in Film, and like all the pieces on the program it features a retuned and remapped piano keyboard. In my case, I’m using Max to retune and remap pitches on the fly in response to the pianist’s performance.
It’s hard for me to believe this piece is more than 20 years old. I wrote it while living abroad as a fellow of the Thomas J. Watson Foundation, and I wrote it especially for Craig to perform. His support and encouragement was so important for me as a young composer as was the experience working alongside him in the newly-formed Birmingham Art Music Alliance. Craig premiered the piece at one of the first concerts presented by BAMA, and this will be one of his last BAMA concerts as a Birmingham resident. Craig will also perform pieces by Michael Angell, Edwin Robertson, James A. Jensen, Brian C. Moon, William Price, Monroe Golden, Bryan Page and Mark A. Lackey.
Percussionist Tim Feeney and violist Wendy Richman will premiere my Glacial Erratics for 1 or 2 sustaining instruments and electronics in a concert presented by the Birmingham Art Music Alliance. Also performing will be Osiris Molina on clarinet. The concert will feature works by Lori Ardovino, Monroe Golden, Joseph Landers, Adriana Perera, William Price and Ron Wray.
Wednesday January 21 7:30pm
Tim Feeney / Wendy Richman / Osiris J. Molina
Moody Music Building Recital Hall
University of Alabama, Tuscaloosa AL
This will be the premiere performance of my brass quintet, Purple Loosestrife (Satellite). The piece functions as a distributed network of musical gestures. Each musician can influence the behavior of any of the other musicians, while simultaneously being influenced by them. No one person is more “in charge” than another. There’s also no predetermined beginning, middle or ending. I sat in on a rehearsal this weekend and loved how the ensemble was working together. I can’t wait to hear how it comes together for the performance.
Also on the program:
Mark A. Lackey – Three Simple Prayers
Bryan Page – now does our world descend
Monroe Golden – Some Day
Jan Vi?ar – Three Marches for Dr. Kaybl
Wesley Johnson – Bluebrass Kebyar
Ron Wray – Dance Like It Hurts
William Price – Sans Titre VII
Fernando Deddos – Rabecando
Nancy Jensen – Polaris Fanfare
The University of Alabama at Birmingham Brass Quintet consists of Dr. James Zingara and Dr. Steve Roberts, trumpets, Dr. Martin Cochran, euphonium, Jeff Koonce, trombone, and Scott Robertson, tuba.