The Tuscaloosa News and UA’s Crimson White have both printed previews of tonight’s Sonic Frontiers show with Justin Peake.
- Tuscaloosa News: UA’s Sonic Frontiers series presents avant-folk music
- Crimson White: Concert to feature unconventional musicians
Hope to see you at the show!
Thursday March 7 2013 at 7:30pm
Bama Theatre Greensboro Room
600 Greensboro Ave.
Admission is Free.
I failed to mark the release of the Location Ensemble’s debut disc on Tape Drift (td49). Luckily it didn’t escape the attention of Andrew White at The Upstate Soundscape who posted a review of the release. He rightfully singles out drummer Matt Weston as “the unsung hero in this guitar ensemble”. Andrew describes my Six Chords Every Rock Guitarist Should Know as “…a dizzying sound that spirals up with sheets of sound whipping around, building up and then falling apart.” Sounds good to me.
Listen to Eric Hardiman’s Diversion #3 from the release here.
Location Ensemble will perform at Valentine’s on April 18, opening for Disappears (Steve Shelley of Sonic Youth and Brian Case of The Ponys) and Lotus Plaza (Lockett Pundt of Deerhunter). I’m unable to play with the group that night–but what’s one less electric guitar in a group of eight or nine?
Metroland’s Best of the Capital Region for 2010 came out last week and I am surprised and pleased to be included as the Best Retro-Futurist. Sure, it’s a made-up category, but it’s a good fit. Here’s what they have to say:
Composer and instrumentalist Holland Hopson has been a contributor to the region’s avant-garde music scene for the better part of 20 year—whether it’s vocal excursions that meld Gregorian chant and Dada, or soprano sax forays that come pretty close to “straight-up” jazz, the breadth and range of this iconoclast’s musical journey has always been intriguing, albeit way outside of the box. Hopson’s recent blending of traditional tunes (performed with vocals and banjo) and subtle electronics has turned him into one of the area’s most mesmerizing and memorable live performers. Catch him if you can, as his local shows tend to be few and far between.
Metroland has identified plenty of other (probably more deserving) best-of recipients including such friends and colleagues as Jason Cosco/Grab Ass Cowboys (Best Noise Wrangler); EMPAC (Best Music Curation) — this ought to read Micah Silver, in my opinion, since he is the Music Curator at EMPAC; The Sanctuary for Independent Media (Best Activist Community Arts Center); and Emily Zimmerman (Best Emerging Curator).
These accolades come on the heels of a conversation with a friend at the latest show presented by the Albany Sonic Arts Collective. We were talking about how important it is for a community of artists to receive some recognition from the local press and the concomitant pitfalls of letting it go to your head. A timely conversation for the former and hopefully we’ll avoid the latter. The ASAC event was a great set of performances, by the way, particularly from Fossils from the Sun (Ray Hare) and Family Battle Snake (Bill Kouligas).
Metroland critic Mike Hotter has chosen last September’s Faust show at Proctors as one of his top live events for 2009:
2. Faust, Holland Hopson, Century Plants
GE Theatre at Proctors, Sept. 30
Seminal German art-rockers Faust showed why they have been championed by avant-garde musicians for more than 30 years, while hometown openers Holland Hopson and Century Plants performed amazing outré music of their own. Hopson, in particular, is a must-see performer, a musical treasure hiding right under our noses.
Hotter’s mention of us “hometown openers” is certainly welcome, though his superlatives may not be entirely deserved.
Josh Potter chose the Boredoms as his top show of the year; I was surprised that it didn’t show up in any of the other critic’s lists. Read the entire article with all the other critic’s picks.