Location Ensemble at Saratoga Arts

On Saturday the Location Ensemble will premiere three pieces for multiple electric guitars, bass and drums at Saratoga Arts. 1983 (Jason Cosco) will provide live visuals.

Saturday November 12 @ 8pm
Saratoga Arts
320 Broadway
Saratoga Springs, NY

Since joining to performing Rhys Chatham’s Guitar Trio last year, the group has been busy–writing and rehearsing new pieces and naming ourselves Location Ensemble. The group includes Tara Fracalossi, Howard Glassman, Eric Hardiman, Ray Hare, Holland Hopson, Thomas Lail, Jason Martin, Patrick Weklar and Matt Weston.

Here’s the score for my piece on the program: Six Chords Every Rock Guitarist Should Know, inspired by Michael Nyman’s “1-100” from Decay Music.

Bring hearing protection.

Progressive Traditions: Albany Times-Union Reviews Post & Beam

Michael Eck of The Albany Times-Union reviewed my Post & Beam recording recently along with releases by Mathew Kane and Kevin Bartlett. Here’s what he wrote about Post & Beam:

Hopson similarly has no fear of manipulating sound with anything near at hand, be it fingerpicks or a laptop computer.

On “Post & Beam,” however, he actually hews closer to Alan Lomax than Kraftwerk, with a haunting, often mesmerizing album of old songs and new sounds.

Throughout, he plays the banjo straight, with a gentle claw hammer behind his fragile-but-captivating voice. There are aspects of Sam Amidon and Chris Whitley at work here (especially in the original tunes), but Hopson’s individuality shines.

What pulls “Post & Beam” out of folk festival mode are the murmurings behind the songs. Atmospheric tangents (including the voice of NOAA weather radio) bubble and squeak without ever distracting. Oddly, they put an even tighter focus on Hopson’s vocal delivery, especially on appropriated chestnuts like “East Virginia,” “Don’t Let Your Deal Go Down” and “Bowling Green Green.”

There’s a tendency in freak folk towards atmosphere, a wind-blown, gauzy lope. Hopson certainly has it on “Post & Beam,” but his relaxed stride has a purpose, a goal, a destination.

It’s a fascinating journey.

Read the entire article here. And check out Mathew Kane/Disposable Rocket Band’s “Apocalyptic Propulsion Unit” and Kevin Bartlett’s “Songs for the Big Kablooey

Atlantic Center for the Arts Concert Videos

Videos from this spring’s residency with David Behrman at the Atlantic Center for the Arts are now online. All the videos from the “Live Listening Party” concert we presented can be seen here, including beautiful work by David Bessler, Klara Schilliger and Valerian Maly, Laura Cetilia, Matt Sargent, David Behrman, Zachary Fairbrother (also performing Valerian Maly’s Electric Guitar II) and Nomi Epstein. To close the concert we all performed together as The New Smyrna Beach Weather Report All-Star Free Will Gospel Choir.

Below are the videos of my solo performances.

This version of “Blackjack David” served as the basis of the performance with Matthew Carefully heard here.

The audio recording of “Everyone Looks to the Sky” was previously posted here.

Post & Beam CD Release Show Recordings

Here are the live recordings from my recent Post & Beam CD release show with Matthew Carefully and Century Plants.

[audio:01_matthew_carefully_should_i_sing_a_song.mp3]
Matthew Carefully: Should I Sing a Song?

[audio:02_matthew_carefully_prayers_and_palms.mp3]
Matthew Carefully: Prayers and Palms

[audio:03_century_plants.mp3]
Century Plants: 1 and 2

[audio:04_east_virginia.mp3]
Holland Hopson: East Virginia

[audio:05_my_own_true_love.mp3]
Holland Hopson: My Own True Love

[audio:06_born_in_the_desert.mp3]
Holland Hopson: Born in the Desert

[audio:07_bowling_green_green.mp3]
Holland Hopson: Bowling Green Green

[audio:08_century_plants_hopson_improv.mp3]
Century Plants and Holland Hopson: Improvisation

[audio:09_carefully_hopson_blackjack_david.mp3]
Matthew Carefully and Holland Hopson: Blackjack David

[audio:10_fencepost.mp3]
Holland Hopson: Fencepost

Valentine’s Sounds

Saturday, April 16, 8 pm
A Night of Amazing Sounds
Bob Gluck/James Keepnews/Ras Moshe/Dean Sharp
Duojoggle (Mitch Elrod/Mike Lopez)
Holland Hopson and Matt Weston
Valentine’s
17 New Scotland Ave

Here’s a great way to spend Saturday night! This will be the first time Matt Weston and I have performed as a duo, and I’m really excited about playing with such an amazing drummer. Every time we’ve rehearsed it comes out a little differently, so it should be a fun surprise to hear what happens at Valentine’s.

Here’s what the Chronogram says about the show:

“A Night of Amazing Sounds”
April 16. In an out-of-the-ordinary move, the normally straight punk-oriented Valentine’s presents “A Night of Amazing Sounds,” a free jazz/experimental electronics program with the quartet of keyboardist Bob Gluck, guitarist James Keepnews, saxophonist Ras Moshe, and drummer Dean Sharp; Duojoggle, featuring saxophonist-guitarist Mitch Elrod and drummer Mike Lopez; and Hopson-Weston, starring Holland Hopson on sax and laptop and Matt Weston on percussion and electronics. Here’s hoping the venue has similar bills in store. (The Charlie Watts Riots and the Last Conspirators plot destruction April 1; the Downtown Fiction hits April 27.) 8pm. Call for ticket prices. Albany. (518) 432-6572; www.valentinesalbany.com.

ASAC Presents DEEP FREEZE

The Albany Sonic Arts Collective presents their first concert of 2011 with performances by some of the Capital Region’s most exciting experimental musicians including Century Plants with Matt Weston, Holland Hopson, SoundBarn and Insect Posse.

DEEP FREEZE: Experimental Music for Snowy Times
Saturday, February 19
8:00 pm
Upstate Artists Guild
247 Lark St.
Albany NY
$5 suggested donation

This will be my first Albany show of 2011 and my last performance before heading to the Atlantic Center for the Arts for a residency with David Behrman (more on that later…). I’ll be performing a set of music for soprano sax and computer. My current plan includes a piece using a DIY plate reverb as the primary electronic sound source.

More about the artists after the jump…

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Benjamin Britten is Dead, Long Live Benjamin Britten


I’m looking forward to playing with soundBarn and Albany Sonic Arts Collective this Saturday at an event called “Benjamin Britten is Dead.” Saturday is the 34th anniversary of Britten’s death, but outside of that coincidence I don’t expect there to be much else in the way of Brittenalia. Performers will include Eric Hardiman, Ray Hare, Holland Hopson, Thomas Lail and Patrick Weklar. Live visuals by Tara Fracalossi. Here are the details:

Saturday December 4 @ 8 pm
The soundBarn
330 Maple Lane
Valatie NY 12184
south driveway
Free

Read more at the soundBarn blog.

Shout Outs from Metroland: Best of the Capital Region 2010

Metroland Best of the Captial Region 2010; Cover photo by Alicia Solsman

Metroland’s Best of the Capital Region for 2010 came out last week and I am surprised and pleased to be included as the Best Retro-Futurist. Sure, it’s a made-up category, but it’s a good fit. Here’s what they have to say:

Composer and instrumentalist Holland Hopson has been a contributor to the region’s avant-garde music scene for the better part of 20 year—whether it’s vocal excursions that meld Gregorian chant and Dada, or soprano sax forays that come pretty close to “straight-up” jazz, the breadth and range of this iconoclast’s musical journey has always been intriguing, albeit way outside of the box. Hopson’s recent blending of traditional tunes (performed with vocals and banjo) and subtle electronics has turned him into one of the area’s most mesmerizing and memorable live performers. Catch him if you can, as his local shows tend to be few and far between.

Metroland has identified plenty of other (probably more deserving) best-of recipients including such friends and colleagues as Jason Cosco/Grab Ass Cowboys (Best Noise Wrangler); EMPAC (Best Music Curation) — this ought to read Micah Silver, in my opinion, since he is the Music Curator at EMPAC; The Sanctuary for Independent Media (Best Activist Community Arts Center); and Emily Zimmerman (Best Emerging Curator).

These accolades come on the heels of a conversation with a friend at the latest show presented by the Albany Sonic Arts Collective. We were talking about how important it is for a community of artists to receive some recognition from the local press and the concomitant pitfalls of letting it go to your head. A timely conversation for the former and hopefully we’ll avoid the latter. The ASAC event was a great set of performances, by the way, particularly from Fossils from the Sun (Ray Hare) and Family Battle Snake (Bill Kouligas).

Sedition Edition

Here are some recordings and photos from my June 19 show at Sedition Gallery in Sydney, Australia. The performance was part of the Left Coast Festival 2010.

The first set consisted of duo improvisations by Holland Hopson, fretless banjo and  electronics with Mike Majkowski, double bass.

Holland Hopson & Mike Majkowski; Photo: Terumi Narushima

[audio:hopson_majkowski_improvisation01.mp3]
Hopson Majkowski Improvisation 1.mp3

[audio:hopson_majkowski_improvisation02.mp3]
Hopson Majkowski Improvisation 2.mp3

[audio:hopson_majkowski_improvisation03.mp3]
Hopson Majkowski Improvisation 3.mp3

[audio:hopson_majkowski_improvisation04.mp3]
Hopson Majkowski Improvisation 4.mp3

Next was a wonderful set by Kraig Grady, just tuned vibraphone and Terumi Narushima, just tuned pump organ.

[audio:grady_narushima.mp3]
Grady Narushima.mp3

Holland Hopson & Mike Majkowski; photo: Terumi Narushima

River of Drone II: Seven Hours of Sound at the SoundBarn

Photo: MisterV

I’m looking forward to floating in the River of Drone II: Seven Hours of Sound.

Sunday May 16th
12 noon to 7pm
at the SoundBarn in Valatie, NY.

The Albany Times Union wrote a preview here. Find more information on the Albany Sonic Arts Collective site or below.

Albany Sonic Arts Collective (ASAC) and The soundBarn are proud to present River of Drone II: Seven Hours of Sound. A very special, long-form event, River of Drone II is a free, seven-hour, improvised sound performance from 12 noon – 7 pm on Sunday May 16 at The soundBarn, Valatie, NY.

River of Drone II: Seven Hours of Sound is a collective sonic improvisation that will unfold and develop unlike any ordinary concert. From quiet, peaceful soundscapes to full-on noise, the ever-shifting rhythm, pace and mood will evolve as the ebb and flow of performers, energy and instrumentation progresses through the seven hour performance.

Set in a former orchard cooler with views of the Catskill Mountains, The soundBarn is a uniquely suited location for visitors to lounge, listen and linger for an hour, a few minutes or the entire performance. The audience is encouraged to make themselves comfortable and to bring pillows, chairs, food and drink. Unlike a traditional concert setting, performers will be located throughout the venue and listeners are encouraged to move around, watch the accompanying video projections, wander in and out and discover new relationships to sound through immersion, reflection, deep listening, meditation, and concentration.

We hope you will join us to listen, meditate, self-hypnotize, bliss out– or to simply enjoy a swim in the RIVER OF DRONE!

River of Drone II is a collaborative presentation of Albany Sonic Arts Collective and The soundBarn and will be presented at The soundBarn.

Featured musicians include: Jason Cosco, Matt Ernst, Tara Fracalossi, Eric Hardiman (Rambutan, Century Plants, Burnt Hills,) Ray Hare (Century Plants, Fossils From the Sun, Burnt Hills,) Holland Hopson, Thomas Lail (soundBarn,) Patrick Weklar (soundBarn) Matt Weston (Barn Owls), Mike Bullock, Linda Aubry Bullock, Mark Lunt, Chris Bassett, Jeremy Kelly, and many more special guests.
Videos by: Tara Fracalossi, Kyra Garrigue and more.

The soundBarn is a project of artist/musician Thomas Lail and artist Tara Fracalossi and is located on what was once Heald Orchards in Valatie, New York. The soundBarn is sited in a modern addition to the orchard’s 100 year old Dutch style barn. The cavernous, heavily insulated space served as the orchard’s cooler where apples and pears were over-wintered and chilled by the massive, still visible refrigeration system.

Remember the first River of Drone? Listen to some of the first River of Drone.