Tag Archives: Albany Sonic Arts Collective

Shout Outs from Metroland: Best of the Capital Region 2010

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Metroland Best of the Captial Region 2010; Cover photo by Alicia Solsman

Metroland’s Best of the Capital Region for 2010 came out last week and I am surprised and pleased to be included as the Best Retro-Futurist. Sure, it’s a made-up category, but it’s a good fit. Here’s what they have to say:

Composer and instrumentalist Holland Hopson has been a contributor to the region’s avant-garde music scene for the better part of 20 year—whether it’s vocal excursions that meld Gregorian chant and Dada, or soprano sax forays that come pretty close to “straight-up” jazz, the breadth and range of this iconoclast’s musical journey has always been intriguing, albeit way outside of the box. Hopson’s recent blending of traditional tunes (performed with vocals and banjo) and subtle electronics has turned him into one of the area’s most mesmerizing and memorable live performers. Catch him if you can, as his local shows tend to be few and far between.

Metroland has identified plenty of other (probably more deserving) best-of recipients including such friends and colleagues as Jason Cosco/Grab Ass Cowboys (Best Noise Wrangler); EMPAC (Best Music Curation) — this ought to read Micah Silver, in my opinion, since he is the Music Curator at EMPAC; The Sanctuary for Independent Media (Best Activist Community Arts Center); and Emily Zimmerman (Best Emerging Curator).

These accolades come on the heels of a conversation with a friend at the latest show presented by the Albany Sonic Arts Collective. We were talking about how important it is for a community of artists to receive some recognition from the local press and the concomitant pitfalls of letting it go to your head. A timely conversation for the former and hopefully we’ll avoid the latter. The ASAC event was a great set of performances, by the way, particularly from Fossils from the Sun (Ray Hare) and Family Battle Snake (Bill Kouligas).

ASAC Presents Pine Smoke Lodge, Cruudeuces, Grab Ass Cowboys, Jefferson Pitcher

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Albany Sonic Arts Presents Pine Smoke Lodge, Cruudeuces, Grab Ass Cowboys, Jefferson Pitcher

Saturday May 29 @ 8pm
Upstate Artists Guild
247 Lark St.
Albany NY
$5 suggested donation

More about the artists after the break… Continue reading →

River of Drone II: Seven Hours of Sound at the SoundBarn

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Photo: MisterV

I’m looking forward to floating in the River of Drone II: Seven Hours of Sound.

Sunday May 16th
12 noon to 7pm
at the SoundBarn in Valatie, NY.

The Albany Times Union wrote a preview here. Find more information on the Albany Sonic Arts Collective site or below.

Albany Sonic Arts Collective (ASAC) and The soundBarn are proud to present River of Drone II: Seven Hours of Sound. A very special, long-form event, River of Drone II is a free, seven-hour, improvised sound performance from 12 noon – 7 pm on Sunday May 16 at The soundBarn, Valatie, NY.

River of Drone II: Seven Hours of Sound is a collective sonic improvisation that will unfold and develop unlike any ordinary concert. From quiet, peaceful soundscapes to full-on noise, the ever-shifting rhythm, pace and mood will evolve as the ebb and flow of performers, energy and instrumentation progresses through the seven hour performance.

Set in a former orchard cooler with views of the Catskill Mountains, The soundBarn is a uniquely suited location for visitors to lounge, listen and linger for an hour, a few minutes or the entire performance. The audience is encouraged to make themselves comfortable and to bring pillows, chairs, food and drink. Unlike a traditional concert setting, performers will be located throughout the venue and listeners are encouraged to move around, watch the accompanying video projections, wander in and out and discover new relationships to sound through immersion, reflection, deep listening, meditation, and concentration.

We hope you will join us to listen, meditate, self-hypnotize, bliss out– or to simply enjoy a swim in the RIVER OF DRONE!

River of Drone II is a collaborative presentation of Albany Sonic Arts Collective and The soundBarn and will be presented at The soundBarn.

Featured musicians include: Jason Cosco, Matt Ernst, Tara Fracalossi, Eric Hardiman (Rambutan, Century Plants, Burnt Hills,) Ray Hare (Century Plants, Fossils From the Sun, Burnt Hills,) Holland Hopson, Thomas Lail (soundBarn,) Patrick Weklar (soundBarn) Matt Weston (Barn Owls), Mike Bullock, Linda Aubry Bullock, Mark Lunt, Chris Bassett, Jeremy Kelly, and many more special guests.
Videos by: Tara Fracalossi, Kyra Garrigue and more.

The soundBarn is a project of artist/musician Thomas Lail and artist Tara Fracalossi and is located on what was once Heald Orchards in Valatie, New York. The soundBarn is sited in a modern addition to the orchard’s 100 year old Dutch style barn. The cavernous, heavily insulated space served as the orchard’s cooler where apples and pears were over-wintered and chilled by the massive, still visible refrigeration system.

Remember the first River of Drone? Listen to some of the first River of Drone.

ASAC Presents Ben Miller/Doug Van Nort Duo, Barn Owl and Shape Shifting Shepherds

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Ben Miller

Doug Van Nort

Albany Sonic Arts Presents Ben Miller/Doug Van Nort Duo, Barn Owl and Shape Shifting Shepherds

Saturday May 1 @ 8pm
Upstate Artists Guild
247 Lark St.
Albany NY
$5 suggested donation

More about the artists after the break.

Continue reading →

ASAC Presents Defragmented: Marko Timlin and thenumber46

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Albany Sonic Arts Collective presents Defragmented: A concert of emergent systems featuring Marko Timlin and thenumber46 (Suzanne Thorpe + Philip White).

Saturday April 10th
Upstate Artists Guild
247 Lark St.
Albany, NY

8PM
Suggested Donation $5 (all proceeds go to touring performers)

This concert features Finnish- based composer/sound artist Marko Timlin alongside thenumber46, the collaborative effort of electro-acoustic flutist Suzanne Thorpe and electronic musician Philip White. Both Timlin and thenumber46 employ improvisation and non-linear analog systems to create music in which a delicate balance exists between the human and machine. A music at once intuitive and mechanical. Explosive and subdued. Violent and meditative.

More about the artists after the jump.

Continue reading →

ASAC Presents Lucre and Jonathan Chen

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ASAC Presents Lucre & Jonathan Chen

Albany Sonic Arts Presents Lucre and Jonathan Chen

Sunday March 14 @ 8pm
Upstate Artists Guild
247 Lark St.
Albany NY
$5 suggested donation

  • Lucre is the improvising trio of Chris Cogburn , Bryan Eubanks, and Vic Rawlings who perform with exposed circuits, extended ampli?ed cello, low-? modular synthesis, and stripped down percussion.
  • Jonathan Chen will perform a solo set of music for electronics, viola and violin.

Chris is a good friend from my Austin days and does great work with the No Idea Festival. I’m very excited he’ll be playing in Albany. And I’m equally excited that local artist Jonathan Chen is finally getting a chance to present his work.

More information about the artists after the break…

Continue reading →

Favorites from 2009

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Here are few favorite picks of recorded media, live shows and print from 2009. As usual, I’m not much of an up-to-the-minute consumer so some of this may be old news. The exception here are the live shows, of course, so let’s start there…

Live Music

My two favorite shows were at EMPAC. The pummeling dished out by The Boredoms + 9 drummers easily takes the top spot. Garth Knox’s viola and viola d’amore might have been the polar opposite of The Boredoms but was no less riveting. I was also mightily impressed with 2009 ASAC guests Area C and Ben Bracken.

Recorded Music

The only new release on my list this year is Take Me To the Water from Dust to Digital. It’s a solid (maybe even stolid) collection of gospel–no real surprises or major standouts. But combined with the beautiful book I know I’ll be returning to this one often.

Two older CDs of music by Arthur Russel and Julius Eastman are now safely ensconced in my desert island collection:

Arthur Russel World of Echo
Where has this record been all my life? I had heard Russel’s avant-disco but was unprepared for the intimacy and sweet strangeness in this recording.

Julius Eastman Unjust Malaise
A life-changing collection of prescient music from a singular talent. There are so many standouts in this collection that it’s hard to choose a favorite.

And some assorted highlights from the year’s listening:

The Hub The Hub & Wreckin’ Ball
Tim Perkis/John Bischoff Artificial Horizon
Some of the synthesized sounds on these records date them, yet no one has better explored the potential for musicking with communication technology. The Hub is still at the heart of the genre, and sadly the genre is still too small. Maybe all those laptop orchestras with their hemi speakers will carry on some this work. They would do well to revisit these recordings.

Junior Kimbrough and the Soul Blues Boys All Night Long
Languorous sound that builds a Calatrava-style bridge between a juke-joint in Mississippi and the sacred sites of minimalism, drone and raga. On second thought, maybe that juke-joint in Mississippi IS a sacred site of minimalism, drone and raga.

Art of Field Recording Volume I
Another Dust to Digital release. I lived with these recordings for most of the year–and won’t be forgetting them soon.

Gloria Coates Symphonies Nos. 1, 7 and 14
This was recommended to me when it first came out. I’m sorry I missed it until this year.

Books

This is Your Brain on Music by Daniel Levitan was probably the most fun I’ve had thinking about music and sound in a while. His Six Songs is less interesting/convincing, but a good intro to questions about music and evolution.

I enjoyed John Adams‘s Hallelujah Junction more than I expected, based on my experience with Adams’ music. (When will John Luther Adams write a book?) I found his tales about his origins and development illuminating and his writing refreshingly frank. It was especially interesting to read about his life in San Francisco during the 1960s which leads to…

The San Francisco Tape Music Center: an excellent overview of an under-appreciated group of electronic music pioneers and their fascinating intersections with popular culture. This collection puts a new spin on the usual Columbia/Princeton/Bell Laboratory history of electronic music in the US.

Music Technology

I expected 2009 to be about Max for Live, but I never got around to buying Live and then had no reason to get Max for Live. Instead, the one piece of music gear that’s made the most impact on my work in 2009 is an 1860’s style fretless tackhead banjo built by Eric Prust.

Back to the software side, the most notable music software I used this year was for the iPhone

Cleartune is easily the best tuner I’ve ever used. It still makes me a little giddy at how wonderful it is to be able to switch between equal tempered tunings and all manner of Pythagorean, just, meantone and historical tunings. My trusty clip-on tuner finally died this year; I’m not sure I’ll replace it.

SoundLevel is a free, bare-bones sound level meter app. I haven’t upgraded to SoundLevel Pro because the free app does me just fine. The convenience of always having a sound level meter on hand means that I’m much more likely to use it. In fact, it’s become an important step every time I set up a PA or go to a friend’s house to listen to mixes. Not to mention the ability to quickly check how loud that blender really is–time to put in earplugs!

On the productivity/inspiration side of things, OmniFocus for iPhone is essential for me. And the iPhone’s built-in Voice Memos app has become my favorite way to capture a sonic idea or lyric phrase–if only there were a better way to offload those files to my machine rather than having to go through iTunes…

Looking ahead to 2010

Maybe 2010 will be my time for Live and Max for Live. I’ve just started dipping into the Pinewoods International Collection of folk tunes and I expect the book will occupy me for most of next year. I’m hoping that by 2011 I’ll be able to frail my way with ease through all those odd time signatures. Finally, I’m looking forward to making more field recordings with my recently beefed-up rig which now includes a Fostex FR2-LE and a Rode Blimp.

ASAC Presents MILLER/WESTON DUO, CRESPO/PITCHER DUO, SOWYDRA, CRUUDEUCES

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Albany Sonic Arts Presents Miller/Weston Duo,  Crespo/Pitcher Duo, Sowyrda, Cruudeuces

Saturday October 24 @ 8pm
Upstate Artists Guild
247 Lark St.
Albany NY
$5 suggested donation

  • Ben Miller plays sax, guitar, and analog electronics and was formerly in legendary Michigan group Destroy All Monsters.
  • Matt Weston lives in Albany and is the newest member of the Albany Sonic Arts Collective.  He’s an amazing percussionist and if you haven’t seen him play yet, you’re in for a treat.
  • Andy Crespo is from Western MA. and plays in Barn Owl with Matt (and Chris Cooper).  he plays bass in ways that will expand your mind.
  • Jefferson Pitcher lives in Troy and is an accomplished guitarist who has released albums on a variety of labels with collaborators Christian Kiefer, J. Matthew Gerken, and others.
  • Sam Sowydra recently moved to Albany. He is a percussionist and multi-instrumentalist who also performs as part of Baltimore musician Dan Deacon’s ensemble.
  • Cruudeuces is the solo project of Nathaniel Brennan of North Adams, MA. He has also recorded with Twin Beds and has a slew of new releases out soon on a variety of labels.