Saturday April 10th
Upstate Artists Guild
247 Lark St.
Suggested Donation $5 (all proceeds go to touring performers)
This concert features Finnish- based composer/sound artist Marko Timlin alongside thenumber46, the collaborative effort of electro-acoustic flutist Suzanne Thorpe and electronic musician Philip White. Both Timlin and thenumber46 employ improvisation and non-linear analog systems to create music in which a delicate balance exists between the human and machine. A music at once intuitive and mechanical. Explosive and subdued. Violent and meditative.
More about the artists after the jump.
Marko Timlin is a Helsinki-based sound artist, composer, musician and inventor of virtual and analogue instruments. He has developed an intuitive interaction with electronic media, creating his own unconventional sound adventures in an improvisational context challenging to both the ear and the mind. Maintaining a delicate balance between order and chaos, his music happens in real-time, often surprising the artist as well as audience. His performances are effectively a dialog between man and machine.
Timlin founded the Berlin-based group tritop with Antye and Jotka of Laub, with whom he released 2 CDs and a Vinyl-maxi on INFRACOM records. His collaborations include Merja Nieminen, Kristina Frei (Zeit_Raum), Klaus Janek, Pink Twins and Petri Kuljuntausta (Helsinki Invasion), NewImproMasters, Laub, Tarwater, Rope, Foo Fanick and the 17 Hippies. He has toured extensively throughout Europe with his “Sensor-Sound-Machine” instrument.
thenumber46 push and coax feedback systems, physically and psychologically, into ultimate audible terrains, extracting sonic extremes from their instruments and themselves. Consisting of Suzanne Thorpe on flute and electronics and Philip White on electronic feedback, the duo improvise on the precipice of unpredictable sounds, exploiting the volatile and explosive in their music. They have toured throughout the U.S., performing at galleries and venues including the Fractal Mind Gaze Hut, Oakland, CA; OK Mountain, Austin, TX; Redux Contemporary Art Studios, Charleston, SC; Monkeytown, Brooklyn, NY; The Stone, NYC; and the Pyramid Atlantic, MD. Their recording, “bleach and ammonia”, was recorded at the Center for Contemporary Music at Mills College, Oakland, CA, and recently released in limited-edition cassette format on Tape Drift Records.
Suzanne Thorpe is a composer, improviser, educator and curator. She has performed with Chris Brown, David Dove, Annette Krebs, Maggie Nicols, BhobRainey, Pauline Oliveros, Gino Robair, Zeena Parkins, Ulrich Krieger and more at places such as Issue Project Room (NYC), The Stone (NYC), Diapason (NYC), the Activating the Medium Festival (SF), the No Idea Festival (Austin), etc. In another life, she is a founding member of Mercury Rev, with whom she worked from 1989 – 2001, a member of The Wounded Knees and can be heard from time-to-time mucking it up with J Mascis of Dinosaur Jr., all three of whom she played with at 2009’s All Tomorrow’s Parties: The Nightmare Before Christmas in England.
Philip White’s performances center on a non-linear feedback system, which consists of a mixer and several homemade circuits. In addition to his work with analog and digital electronics, White has written extensively for chamber ensembles and created a large body of inter-media pieces that explore meaning in information transmission. His works have been exhibited in galleries across the US and Germany. In addition his solo performances he currently works with Suzanne Thorpe (thenumber46), Chuck Johnson (with chuck johnson with philip white) and Ryan Talman. Recent and upcoming performances/exhibitions include Bent Festival 2010, New York City Electro-Acoustic Music Festival, Diapason (NYC), The Stone (NYC), Sonic Circuits (DC), Redux New Media Festival (Charleston, SC) and Galerie Neurotitan (Berlin). Philip was recently awarded a Meet the Composer Creative Connections grant.