Hot off the letterpress… Here’s a sneak peek at the cover art for my forthcoming CD of music for banjo and electronics titled Post & Beam.
Many thanks to Travis Weller–composer, designer, letterpress operator, more–for all he’s done for this project. (Especially in light of the Austin New Music Co-op’s upcoming concerts of Cardew’s “The Great Learning”. Wish I could be there!)
Photo: Diana Cooper
Here’s a recording of a new piece called Everyone Looks to the Sky.
[audio:everyone_looks_to_the_sky.mp3]I made the piece and the recording during my recent residency with David Behrman at the Atlantic Center for the Arts. The work is for any sustaining instrument with computer (here, I’m playing the soprano saxophone). The computer produces a gradually rising tone that matches the first note of each gesture (see the score below). The result is–yes, more glissando music–and a curious kind of interactive piece that always ends the same way.
Here are the juicy bits from the score:
Gesture 1
• Play 5 notes in an ascending series, beginning near the lowest note on your instrument.
For a performance lasting 10 mintues, each note should last 7 or many more seconds. Each note should be separated by a rest of approximately 7 or many more seconds–at a minimum, allow enough time between notes to perceive the computer’s pitch rising. For longer performances, adjust the durations appropriately.Gesture 2
• Play 4 notes in an ascending series, beginning on any pitch lower than the last pitch of Gesture 1.
Durations of notes and rests are as in Gesture 1.Gesture 3
• Play 3 notes in an ascending series, beginning on any pitch lower than the last pitch of Gesture 2.
Durations of notes and rests are as in Gesture 1.Gesture 4
• Play 2 notes in an ascending series, beginning on any pitch lower than the last pitch of Gesture 3.
Durations of notes and rests are as in Gesture 1.Gesture 5
• Play 5 or more notes in an ascending series, beginning on any pitch lower than the last pitch of Gesture 4.
Durations of notes and rests are as in Gesture 1, with a few notes or rests lasting shorter than 7 seconds, if desired.
Repeat as needed until the piece ends. The last 4 or more pitches played should be near the highest note on your instrument.
Saturday, April 16, 8 pm
A Night of Amazing Sounds
Bob Gluck/James Keepnews/Ras Moshe/Dean Sharp
Duojoggle (Mitch Elrod/Mike Lopez)
Holland Hopson and Matt Weston
Valentine’s
17 New Scotland Ave
Here’s a great way to spend Saturday night! This will be the first time Matt Weston and I have performed as a duo, and I’m really excited about playing with such an amazing drummer. Every time we’ve rehearsed it comes out a little differently, so it should be a fun surprise to hear what happens at Valentine’s.
Here’s what the Chronogram says about the show:
“A Night of Amazing Sounds”
April 16. In an out-of-the-ordinary move, the normally straight punk-oriented Valentine’s presents “A Night of Amazing Sounds,” a free jazz/experimental electronics program with the quartet of keyboardist Bob Gluck, guitarist James Keepnews, saxophonist Ras Moshe, and drummer Dean Sharp; Duojoggle, featuring saxophonist-guitarist Mitch Elrod and drummer Mike Lopez; and Hopson-Weston, starring Holland Hopson on sax and laptop and Matt Weston on percussion and electronics. Here’s hoping the venue has similar bills in store. (The Charlie Watts Riots and the Last Conspirators plot destruction April 1; the Downtown Fiction hits April 27.) 8pm. Call for ticket prices. Albany. (518) 432-6572; www.valentinesalbany.com.
The Albany Sonic Arts Collective presents a rare US visit by Brighton England’s diy/indie legends, Blood Stereo. Complementing Blood Stereo will be Bill Nace, Northampton, MA guitarist extraordinaire, last in Albany with Thurston Moore, as Northampton Wools. 1983 is Jason Cosco–an Albany noiseician and video art solo project.
Tuesday, April 12
8:00 pm
Upstate Artists Guild
247 Lark St.
Albany NY
$5 suggested donation
Blood Stereo, is an English duo of Dylan Nyoukis, and his wife, the musician and artist Karen Constance, that combines diy technology and the human voice creating a non-idiomatic sound where the human and material collide. Dylan Nyoukis’s work exists on the fringe of contemporary avant garde art and underground DIY, and he is a leading light in the UK’s tape/CD-R scene, both as a performer and proprietary of the Chocolate Monk label. He has collaborated with artists as diverse as Ludo Mich, Chris Corsano, Thurston Moore, Sun City Girls, Bill Nace (natch!), Heather Leigh Murray, Phil Minton, Neil Campbell, Usurper and Wolf Eyes.
1983 is Jason Cosco, an Albany based noise and video artist, UAG board member, and ASAC member. Jason’s performances are physical affairs where the body invariably becomes instrument. You can’t be sure what Jason will break out but don’t be surprised if pedals, mics, cymbals, turntables, bells and various other plastics and metals make an appearance!
The soundBarn presents: A Thousand Fibers, an evening of long-form improvisations with members of Albany Sonic Arts Collective and the soundBarn.
Saturday March 26 8pm
The soundBarn
330 maple lane (south drive)
valatie NY 12184
Featuring: Insect Posse, Fossils From the Sun, Holland Hopson and soundBarn.
For this performance I’ll be premiering “2 out of 3”, a new piece for improvising quartet performed with Ray Hare, Thomas Lail and Patrick Weklar. I’ll also be performing Valerian Maly’s piece “Electric Guitar II” for solo performer with electric guitar and a bottle of champagne!
The Albany Sonic Arts Collective presents improvised and experimental music from Beijing and Chicago.
Yan Jun & the Matt Weston – Dan Godston Duo
Thursday, March 24
8:00 pm
Upstate Artists Guild
247 Lark St.
Albany NY
$5 suggested donation
Yan Jun uses feedback noise in his concerts. He also engages in field recording, site-specific sound art, voice, writing and publishing. He is the founder of Sub Jam/Kwanyin Records, which runs the weekly event Waterland Kwanyin (2005-2010) and annual festival Mini Midi.
http://www.yanjun.org/
Dan Godston teaches, composes music, and plays the trumpet and other instruments in Chicago. He works with the Borderbend Arts Collective to make the annual Chicago Calling Arts Festival happen. Chicago Calling provides opportunities for Chicago based artists to collaborate with artists living in other locations around the world.
http://dangodston.bandcamp.com/
Matt Weston plays percussion and electronics, and has worked with Arthur Brooks, Bill Dixon, Kevin Drumm and, most recently, has collaborated with Century Plants.
http://www.mattweston.com/
The view of the Florida scrub outside my window
I’ve just returned from an energizing and productive residency at the Atlantic Center for the Arts where I worked with David Behrman and an inspiring group of fellow composers and performers. We shared our time there with an outstanding group of visual artists led by Diana Cooper and a delightful gathering of writers led by Victoria Redel.
Here are some signs found around the beautiful ACA campus. I’ll post recordings (and hopefully video) of the work I did there soon.
I’m the latest subject of Nippertown’s “Five Firsts” series. It’s likely the only time I’ll name check Def Leppard and Judas Priest.
The Albany Sonic Arts Collective presents their first concert of 2011 with performances by some of the Capital Region’s most exciting experimental musicians including Century Plants with Matt Weston, Holland Hopson, SoundBarn and Insect Posse.
DEEP FREEZE: Experimental Music for Snowy Times
Saturday, February 19
8:00 pm
Upstate Artists Guild
247 Lark St.
Albany NY
$5 suggested donation
This will be my first Albany show of 2011 and my last performance before heading to the Atlantic Center for the Arts for a residency with David Behrman (more on that later…). I’ll be performing a set of music for soprano sax and computer. My current plan includes a piece using a DIY plate reverb as the primary electronic sound source.
More about the artists after the jump…
One 4 One is now available for download at Bandcamp!
Today marks the ten-year anniversary of One 4 One, the live recording of a set I performed at the Arts Center in Troy NY as part of the Impulse/Response series. The album had previously been available via Amie Street (RIP).
One 4 One includes 5 pieces for extended soprano saxophone and computer, and one piece for sipsi and computer. All of the pieces involve some degree of interactivity–the computer responds to the live instrument, and the performer responds to the computer’s output–made possible by custom software written with Cycling 74‘s Max. The name of the album is a pun on the date, of course, and it also refers to mapping inputs to outputs.
