ASAC Presents Brendan Murray and Brown Wing Overdrive

The Albany Sonic Arts Collective presents Brendan Murray (Boston) and Brown Wing Overdrive (Brooklyn)

Saturday July 12, 2008
doors at 7:30 pm: show at 8:00 pm

Upstate Artists Guild
247 Lark St.
Albany, NY
$5 suggested donation at the door

From the minds of ASAC:
“Brendan Murray is a self-taught musician living in Somerville, MA. He has actively recorded and performed with electronics since 1999. He regards his music as a balance between spontaneous sound making and compositional rigor, with an emphasis on drones and repetition. He records and processes instruments and tapes until all traces of instrumentality are blurred, leaving only large blocks of pure sound.

He has recorded four full-length CDs, four cdrs and two cassettes for various record labels in the United States and Europe. Murray has also toured extensively throughout the United States as a solo performer and as a member of various improvising ensembles.

Brown Wing Overdrive is an electronic trio from Brooklyn specializing in improvisation.  Members include Chuck Bettis (electronics and vocals), Mike IQ Jones (electronics and objects), and Derek Morton (electronics and banjo)  Between them, they have deep histories in punk rock and electronic improvisational music.  Their music has been described as “amorphous ebb-and-flow ooze rippling over No Neckian pick, blurt, and throttle”.   Their debut CD, “We Have Issues: live at Issue Project Room”, is available on Living Myth Records.”

I’m looking forward to more banjo weirdness–see you there.

Scores? Score!

The International Music Score Library Project (IMSLP) is back online after a hiatus beginning in early 2008. Read about the reopening here. IMSLP (now also known as the Petrucci Music Library) is a wiki for public domain music scores.

IMSLP operates in Canada where a score is in the public domain if it was published more than 50 years ago and the date of death of the last author of the publication also died more than 50 years ago. Consequently, the collection of scores skews toward older pieces. But the site also includes information on how to submit your own Creative Commons licensed scores, so I’ll look forward to watching the contemporary selections grow.

Welcome back, IMSLP!

ASAC Presents Thurston Moore+Bill Nace, Robedoor, Pocahaunted, Century Plants

The next Albany Sonic Arts Collective show is a doozy. I’ll have to miss it, but don’t let my poor fortune prevent you from getting there.

Thursday 26 June, 2008 at 8PM
Upstate Artists Guild
247 Lark St. Albany, NY

Here’s the lineup:

ASAC Presents Thurston Moore+Bill Nace/Robedoor/Pocahaunted/Century Plants

The Next Lala

Peter Kirn at Create Digital Music has reviewed the latest incarnation of lala.com that was recently released in beta as next.lala.com. As a longtime Lala user I agree with his conclusions, and find his idea of tiered music pricing and his comparison of lala with terrestrial radio to be appropriate. Too bad the radio-like features of next.lala.com aren’t exactly riveting. True, you can stream tons of music for free, but the streams are only on a per album basis. Once upon a time, an older version of lala.com allowed users to create and share playlists–essentially turning anyone into the DJ of their own radio station. I’d love to see this feature brought back, or even some relational music suggestions based on recent tracks played. In other words, what makes good radio good is that it’s curated (and what makes bad radio horrible is that it’s overly-curated…another story). The thrill of radio for me is that something great might come on next and sadly, next.lala.com doesn’t allow it. There’s not even a shuffle button. I’ll admit I’ve been having fun checking out albums on next.lala.com, but I can’t say the experience has been one of discovery. It’s more like visiting the reading room at the NY Public Library or the Library of Congress or the British Museum. You finally get to hold a book you’ve been looking for, and then the reading room closes and it’s time to give it back.

Speaking of giving things back, I’m glad to see CD trading hasn’t been thrown out on next.lala.com. I regularly get new music from lala by trading my older CDs for someone else’s. Yes, CD sales are down and may never recover–boo hoo. But right now seems like a great time to trade CDs because they’re suddenly perceived as less valuable while still quite usable and not yet so rare as to be collector’s items.

RIP Bo Diddley

Go on Bo Diddley! Gone.

I picked up the double album reissue of “Bo Diddley / Go Bo Diddley” a few years ago and I’ve been playing it regularly ever since. Everybody talks about his beat, but what about that strange rhythm section of maracas and tomtoms and no cymbals? Bo Diddley had the weirdness and he knew how to make it work. The NYTimes reports he was one of the first guitarists to use a stomp box to get that wobbly tremolo effect.

I’ve also been playing Bo Diddley recently because of a kind of revisionist listening. Where once I heard iconic 50’s rock and roll, now I hear echoes and flutters from Henry Flynt and Reich’s Four Organs and excise that beat from your mind (if you can) and what’s left resembles some Alvin Lucier modulation+reverb dream.

Gone Bo Diddley! Go on.

Universal Instrument Videos

Here are some videos from the Austin New Music Co-op‘s recent Universal Instrument concert. The Behind the Scenes segment is especially nice.

Austin New Music Co-op: Six Bagatelles

Austin New Music Co-op: Behind the Scenes

Austin New Music Co-op: The Becoming Machine IV

ASAC Presents YEAH! SWEET! YUMMY!

yeah! sweet! yummy!

The Albany Sonics Arts Collective (ASAC) presents YEAH! SWEET! YUMMY! featuring

Saturday 17 May, 2008
Upstate Artists Guild
247 Lark St. Albany, NY

Doors at 7:30 pm: show at 8:00

$5 suggested donation at the door
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Albany Sonic Arts: 4 Solo Sets for April

I never posted a proper announcement for last weekend’s Albany Sonic Arts Collective show at the Upstate Artists Guild Gallery featuring Ray Hare, myself, Eric Hardiman and Travis Johns. Here are recordings of the pieces I played.

[audio:http://hollandhopson.com/music/asac/02_hopson_turnover.mp3]

Turnover – I improvised the melody and lyrics for this one inspired by Ray Hare’s hair raising performance.

[audio:http://hollandhopson.com/music/asac/03_hopson_my_own_true_love.mp3]

My Own True Love – an arrangement of a traditional tune

[audio:http://hollandhopson.com/music/asac/04_hopson_telephone_temple.mp3]

Telephone Temple – an arrangement of a piece I wrote to be performed with LEMUR‘s musical robots.

Visit the UAG site to view photos from the event.

Nine Tas

I recently heard a recording of the premiere performance of Nine Tas by the Austin New Music Co-op and thought I’d share it here. The singers are Ashley Gaar, Kathy Hatch, Wendi Olinger and Brandon Young

[audio:http://www.hollandhopson.com/music/various/nine_tas.mp3]

Nine Tas

The rest of the concert is knockout good. Let’s hope the Co-op makes it available soon.