Listening as Creative Act

Aside

Allan Kozinn get’s it in yesterday’s NYTimes article about John Cage’s 4’33”.

…I sat back, closed my eyes and did what Cage so often recommended: I listened. I made no effort to separate the strands of conversation or to focus on what people were saying. I was simply grabbed by the sheer mass of sound, human and mechanical. It sounded intensely musical to me, noisy as it was, and once I began hearing it that way, I couldn’t stop.

ASAC Videos: Pump Organ and No Mule

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Thanks to Eric Hardiman for shooting and posting videos from Saturday’s Albany Sonic Arts Collective show.

This is the premiere of a soon-to-be-titled work built around the idea of treating a fader box as a set of pump organ pedals, rather than simple position sensors. Using Cycling ’74’s Max I can control the organ sounds with a variety of gestures: “pumping” the faders makes the sounds louder, rhythmic motion creates harmonics, sudden and abrupt changes add distortion and bite. The samples that appear at 5:30 are from a 2010 recording session with choreographer Jill Sigman (previous story here).

(Start at 1:32 to skip the embarrassing banter and the hopeless yet obligatory banjo tuning…)

“No Mule” is another brand-new tune. The rhythmic chopping effect is a kind of slow-motion walk through a live sample of the banjo. I add a few more live samples beginning at about 4:00 and get into full-on Steve Reich mode by 6:00.

ASAC Presents Ben Miller, Holland Hopson, Barn Owl, Claymation

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The Albany Sonic Arts Collective presents Ben Miller, Holland Hopson, Barn Owl and Claymation.

Saturday, June 16
8:00 pm
Upstate Artists Guild
247 Lark St.
Albany NY
$5 suggested donation

This will likely be my last ASAC show as an Albany resident. I’m pleased to share the occasion with:

Ben Miller – alto sax, tapes, the zoo, voice and projection in support of a new release on Living Records. Ben has performed at ASAC a few other times, and was formerly a member of Destroy All Monsters, Sproton Layer, and other units. He’s one of the best out there, and you shouldn’t miss this performance.

Barn Owl – amazing trio of improvising musicians extraordinaire. Matt Weston on drums/percussion, Andy Crespo on bass, and Chris Cooper on prepare guitar/electronics. You’re always in for a treat with these guys.

Claymation – solo electric guitar improvisation from C. Baird Buchanan. We’re excited to have Baird bring his solo project to ASAC for the first time.

 

Wind Whistling in Overhead Wires: Soundtrack Companion to The Observers

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Wind Whistling in Overhead Wires is a collection of field recordings and outtakes from my work on Jacqueline Goss’s film The Observers.

This is a pay-what-you-wish (starting at free!), digital download release on Bandcamp. I made the field recordings during our two amazing shoots at the top of Mt. Washington in New Hampshire (see these previous posts). I processed some of the sounds using custom effects developed with Cycling 74’s Max software and added a few instruments in the studio. I chose my favorite sounds and sketches that didn’t make it into the final film and sequenced them to create a continuous 20-minute piece (though some of the tracks work well on their own, particularly Downslope Flow). Enjoy!

The Observers at Anthlogy Film Archives: Soundtrack Coming Soon

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Jacqueline Goss’s film The Observers has a one-week run at Anthology Film Archives. Thursday May 10 – Wednesday May 16, at 7:00PM and 8:45PM each night. It’s paired with Jesse Cain’s short film The Lakes.

I did the sound and score for The Observers and am excited to see it again on the big screen. I’ll be releasing the soundtrack for the film very very soon. Stay tuned!