The Universal Instrument: New Music for Voice

The Universal Instrument

The Austin New Music Co-op is presenting a concert of new music for voice on Saturday, April 12 in Austin TX. The concert will feature music by Chris Cuellar, Brent Fariss, Holland Hopson, Keith Manlove, Josh Ronsen and Travis Weller performed by vocalists Ashley Gaar, Kathy Hatch, Deena Hyatt, Wendi Olinger, Anton Boyd, Brandon Young and Kevin Adickes.

The ensemble will be premiering my vocal quartet, Nine Tas (Download the score). I unfortunately won’t be in attendance.

NMC is presenting a number of related events beginning with an open rehearsal tonight, a radio broadcast tomorrow and a pre-concert talk on the 12th. More information about the concert and all the extras.

Best of ReSiDeNt: The First Two Months

I’m excited to be playing again with the LEMURbots. This time it’s at Issue Project Room on Thursday, April 10 @ 8pm. I’ll be sharing the bill with Taylor Kuffner and Ben Neill. Here’s the rundown:

LEMUR storms Issue Project Room on Thursday, April 10th, with a night of special collaborations. Best of ReSiDeNt: The First Two Months showcases performances by January/February LEMUR ReSiDeNtS Taylor Kuffner debuting the GamelaTron robotic gamelan and Holland Hopson playing his customized MIDI banjo in an Appalachia-meets-robots performance. Then, Ben Neill presents the NYC premiere of new works for Mutantrumpet and LEMUR robots.

Thursday, April 10 @ 8 pm, $10
Issue Project Room @ The Old American Can Factory
232 3rd Street @ 3rd Avenue
Brooklyn

Maps Breaks $1. Maps is Free. Long Live Maps.

The price for my Maps CD on amiestreet.com recently broke the $1.00 barrier (see below). To celebrate I’ve the posted the album in its entirety at grabrarearts.com. Go here for complete information or use the link below to get it all in one swell foop. This is part of my pledge to make more of my music available for download in 2008. I’ll have more coming up soon, so stay tuned.

Download the full album including artwork: hopson_maps.zip

LEMUR ReSiDeNts for February Announced

I’m pleased to have been chosen for a residency at LEMUR in Brooklyn for the month of February. Other artists-in-residence include Zach Layton and Max Lord. We’ll be presenting our work at the end of the month. Look for more information soon. The official announcement is below.


February ReSiDeNts Announced

We are happy to announce our second group of ReSiDeNts, who will be creating new works at LEMUR in February:

Holland Hopson is a composer, improviser, and electronic artist. Holland will bring Old-Time Appalachia to the League of Electronic Musical Urban Robots by creating new pieces for the LEMURbots and Tru One, his clawhammer banjo/sensor interface.

Zach Layton is a composer, improviser, curator and new media artist based in new york with an interest in biofeedback, generative algorithms, experimental music, biomimicry and contemporary architectural practice. His work investigates complex relationships and topologies created through the interaction of simple core elements like sine waves, minimal surfaces and kinetic visual patterns. He is planning to create a new work for guitar, sax, drums plus robots. The piece will be composed using an open score format encouraging improvisation among the human players and neural network software to encourage improvisation among the robots.

Max Lord is a percussionist who will be writing a new piece for the LEMUR robots in collaboration with NYC-based choreographer Ellen Godena. The score will integrate a live performance on the Marimba Lumina with robot percussion and spontaneous robot-inspired movement.

Artists from all performing and installation disciplines are encouraged to apply to ReSiDeNt, including musicians, composers, dancers, choreographers, video artists, interactive installation artists, performance artists, multimedia artists and others. To learn about applying to ReSiDeNt, visit http://lemurbots.org/resident.html. Deadlines are rolling, with March submissions accepted until February 18th.

What I Did 20 Years Ago: Biodegradable

David Baird of Peer Pressure Productions has posted every issue of Biodegradable, a zine I helped publish 20 years ago. Get them here. Biodegradable is a window into skate punk culture of Huntsville AL circa 1988, with reports of the hottest skate spots and reviews of albums (that’s what they were back then) from iconic bands such as Jodie Foster’s Army, Suicidal Tendencies, Dead Milkmen, 7 Seconds, and Fugazi. But there’s more than late-80’s skate culture. There’s also plenty of teenage angst in the form of blood and gore drawings (vol. 1 iss. 3) and what was then a kick-ass literature section. I kid you not! Poetry was on everyone’s mind back then, it seems. We even managed to squeeze in a review of the Kronos Quartet! Other not-to-be-missed highlights include an interview with the Sex Clark Five (vol. 1 iss. 4) and the Mail Art sections in later issues. Twenty years from now I’ll be digging out posts from the Field Guide and waxing nostalgic…or blushing…

Year-end round-up let-down

I always enjoy reading best-of-the-year lists and thought I’d add to the glut. But looking through my music collection I realized how few new releases I bought this year. I simply can’t make a best-music-of-the-year list because I hardly heard anything released this year! A strange statement for a musician to make, but here’s why.

My music buying habits usually follow two, possibly contradictory patterns which I’ll call direct-from-the-source and bottom-feeding. Direct-from-the-source is from the artist herself. Go to the show, listen to the music, talk the artist, buy the CD. Or when I’m on the bill, I’ll often get another artist’s CD by trading one of mine. With the birth of my son at the end of 2006, I’ve attended and played far fewer shows than usual in 2007. Hence, fewer 2007 CDs to hear.

Bottom-feeding is my tendency to scour the used CD racks. Since moving from Austin to Albany, though, my selection of decent used CDs has plummeted. Luckily, there’s lala.com, my single biggest source of CDs for 2007. Of course, bottom-feeding results in far fewer new releases, though I picked up a handful at Amoeba Music in Berkeley.

So, I’m a cheap-skate and a shut-in. But I’m a music loving cheap-skate shut-in. A glance back at those iTunes stats shows I added over 9 days of music to my collection during 2007, and that doesn’t include some of the CDs I acquired but plan to trade away. I listened to more music than ever this year–apparently most of it was “The Song of the Long Tail.”

Those iTunes stats revealed another trend for 2007. If 2006 was the year of the music blog (keep ’em comin’ destination: OUT, Music for Robots, fluxblog, End(-)Of(-)World Music, UBUweb) then 2007 was the year of the free album. Radiohead’s In Rainbows was the most visible here, though I have yet to download it. I did enjoy albums from eDogm and insubordinations and free music standbys such as Steve Coleman and Bob Ostertag. Amiestreet was another reliable source for free or almost free music. And the great aggregator remains Free Albums Galore.

One of my New Year’s resolutions is to make more of my own albums available online for free. You’ll hear about it at the Field Guide when I do. And another resolution? How about I get out a little more in 2008?

New Music Online: Part 1: Lala.com

I’m writing about my experiences with lala.com as the first part of a series focusing on music distribution models on the internet. Other posts may cover amiestreet.com, online radio services such as pandora and music networking sites like mog. I’m particularly interested in how these sites serve experimental music and musicians. My definition of experimental music is a broad one, covering 20th and 21st century classical music, avant-flavored jazz, fringe areas of pop and rock, and other non-mainstream varieties.

What is it?

Lala.com is a CD trading service. The site has recently expanded to include an online music player, but its functionality remains limited, so I’ll focus on the CD trading aspect of the service. I have found lala.com to be a low-cost, low-risk way to expand my music library.

How it works

Users post a list of CDs they own and are willing to trade. They also create a list of CDs they want. The lala.com database facilitates trades between users. These trades are not usually direct, one-to-one exchanges (e.g. I send you a CD you want in exchange for a CD from you that I want). More typically, User A sends out a CD to User B and receives a CD from User C. Each CD received costs $1.75 including shipping and handling. There is no charge for sending CDs.
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