I’m a little disappointed that the city fixed the potholes on the street by my house. It means people in cars will feel ok driving faster. I was fine slowing down, plus the potholes were easy enough to dodge on my bike.
Brush Mind: At Hand
University of Alabama
Sella Granata Gallery
Text/lettering: Hank Lazer
Video: Jane Cassidy
Music: Michael Harp & Aaron Dues; Andrew Raffo Dewar; Holland Hopson
Tomorrow I’ll be playing a house concert in the newly christened Gin Palace. I’ll perform a solo set for banjos with electronics, and Tim Feeney will play solo percussion. Special guests l’Artiste Ordinaire (Melissa Grey, David Morneau) will perform their work Photon Ecstasy.
October 10 8:00pm
House Concert with
l’Artiste Ordinaire (Melissa Grey, David Morneau), Tim Feeney, Holland Hopson
2120 6th Street
Tape Drift Records has recently re-released Location Ensemble’s self-titled live recording as a digital download on Bandcamp. The recording is from a concert at the Saratoga Arts Center in 2012. Tracks include Eric Hardiman’s hocketing, krautrock burner Diversion #3, My Six Chords Every Rock Guitarist Should Know and Thomas Lail’s Sonic Youth-inspired Untitled (All the Times She Loves Me).
I contributed a track to the upcoming Elements Series :: Water compilation put together by Jasper Lee benefiting the Cahaba River. Seasick Records is hosting a release party on Thursday featuring Iron Giant Percussion Ensemble, Brad Davis, Liquid Gems & Jim Jim Bath Myst. Jim Fahy and I will also be playing as a duo.
The compilation includes music from:
Worldlines, my brand-new piece for three or more sustaining instruments, gets its premiere tonight at the Abroms-Engel Institute for Visual Arts in a concert of chamber music inspired by Jessica Angel’s site-specific installation Facing the Hyperstructure.The program features three other world premiere compositions by Monroe Golden, Kyle McGucken, and Tom Reiner.
The pieces will be performed by Hillary Tidman, flute; Diana Dunn, oboe; Kathleen Costello, clarinet; Tariq Masri, bassoon; and Kevin Kozak, french horn. The event begins at 5pm with a reception and time to take in the artwork, followed by the concert at 5:30pm.
Friday April 7 5:00pm
Chamber Music at AEIVA: Air in a Loop
University of Alabama at Birmingham Abroms-Engel Institute for Visual Arts
1221 10th Avenue South
Birmingham AL 35205
5:00pm Reception and art viewing
Like many of my recent scores, the musicians performing worldlines determine the moment-to-moment shape of the music. In this case, all of the musicians share the same written material and use hand-signals to determine how they navigate through it. One hand signal may cue players to repeat their current phrase, while another may cause them to read backwards through the score.
Here I am trying out a pair of ChromaDepth glasses surrounded by Jessica’s artwork. The glasses add a sense of depth to Angel’s vividly-colored environment.
Here’s a performance of Comes and Goes from the 2016 Birmingham New Music Festival featuring (L to R) Andrew Raffo Dewar, modular synth; Geni Skendo, flutes; Wendy Richman, viola; Holland Hopson, laptop.
The piece is for open instrumentation: four or more performers using electronic and/or acoustic instruments. We chose to perform the sections in the following order: Foothills, Unmatched set of revolving doors, Cirrus – lock of hair, I Send the Rockets Up, Constant Interference. Download the score
Last Friday I pledged to donate 200% of my Bandcamp sales to the ACLU as part of the #NoBanNoWall benefit. I’m pleased to report I contributed $50, thanks to everyone who purchased my music through Bandcamp on Friday. Bandcamp as a whole contributed significantly more. They posted this update late Friday
With several hours remaining, we estimate that fans will have bought just over $1,000,000 worth of music today, which is 550% more than a normal Friday (already our biggest sales day of the week). All of our share of that (~12%) goes directly to the ACLU.