The Austin American-Statesman is running a month-long series on Austin’s other live music scene: classical music. The first installment mentions the usual establishment players (who, I should point out, do a better-than-usual job with adventurous programming than their national counterparts…). Also mentioned are some of my much-missed colleagues who are busy
“pushing the boundaries of what classical music can be and how it can be presented in the 21st century. Austin has a tribe of adventurous musicians – composer-performers like Graham Reynolds, Peter Stopschinski, P. Kellach Waddle and Travis Weller; ensemble leaders such as Michelle Schumann and Aurélien Petillot and groups such as the Tosca String Quartet, Audio Inversions and the Invincible Czars – that lead the charge, taking their newly composed classical music to nightclubs, collaborating with filmmakers, dancers and theater companies and otherwise finding ways to challenge the status quo of classical music performance.”
I look forward to reading the rest of the series.