Ornette Coleman had such an impact on my life as a saxophonist and composer. When he died last month I revisited his recordings, my memories of hearing him perform live and my experiences playing his music (mostly during ECFA’s ‘repertory’ phase–thanks Carl Smith!). That’s when I realized I’d never tried an Ornette tune on banjo.
This is a version of “Lonely Woman” from The Shape of Jazz to Come for clawhammer banjo. I chose this tune, in part, because Charlie Haden’s iconic pedal-point bass line suggested the drone string on a banjo. I bought this album as a freshman in college and remember listening to it again and again until the sheer mystery and befuddlement and out-of-tuneness of the songs gave way to familiarity, love and (hopefully) some understanding of how and why they work.
