Thursday October 22, 8pm Gallery MC
549 W 52nd St, Fl 8th
New York, New York 10019
This concert is part of the Vox Novus Festival celebrating 15 years of work. Vox Novus and Circuit Bridges have teamed up with BAMA in a composer exchange (kind of like hostages, only composers are somewhat more demanding—requiring better food, more liquor—and not as susceptible to audio torture). The exchange began a few weeks ago with the Birmingham Art Music Alliance welcoming a contingent of NY-based composers for the Birmingham New Music Festival. This weekend Monroe Golden, Mark Lackey, Brian Moon, William Price and I are being hosted by Circuit Bridges.
I’ll be performing Alap Catfish Impala, a new piece for banjo voice and live electronics. It’s a mashup (or maybe a medley?) of clawhammer blues and just-tuned modal improvisations.
It’s hard for me to believe this piece is more than 20 years old. I wrote it while living abroad as a fellow of the Thomas J. Watson Foundation, and I wrote it especially for Craig to perform. His support and encouragement was so important for me as a young composer as was the experience working alongside him in the newly-formed Birmingham Art Music Alliance. Craig premiered the piece at one of the first concerts presented by BAMA, and this will be one of his last BAMA concerts as a Birmingham resident. Craig will also perform pieces by Michael Angell, Edwin Robertson, James A. Jensen, Brian C. Moon, William Price, Monroe Golden, Bryan Page and Mark A. Lackey.
Percussionist Tim Feeney and violist Wendy Richman will premiere my Glacial Erratics for 1 or 2 sustaining instruments and electronics in a concert presented by the Birmingham Art Music Alliance. Also performing will be Osiris Molina on clarinet. The concert will feature works by Lori Ardovino, Monroe Golden, Joseph Landers, Adriana Perera, William Price and Ron Wray.
Wednesday January 21 7:30pm
Tim Feeney / Wendy Richman / Osiris J. Molina
Moody Music Building Recital Hall
University of Alabama, Tuscaloosa AL
This will be the premiere performance of my brass quintet, Purple Loosestrife (Satellite). The piece functions as a distributed network of musical gestures. Each musician can influence the behavior of any of the other musicians, while simultaneously being influenced by them. No one person is more “in charge” than another. There’s also no predetermined beginning, middle or ending. I sat in on a rehearsal this weekend and loved how the ensemble was working together. I can’t wait to hear how it comes together for the performance.
Also on the program:
Mark A. Lackey – Three Simple Prayers
Bryan Page – now does our world descend
Monroe Golden – Some Day
Jan Vi?ar – Three Marches for Dr. Kaybl
Wesley Johnson – Bluebrass Kebyar
Ron Wray – Dance Like It Hurts
William Price – Sans Titre VII
Fernando Deddos – Rabecando
Nancy Jensen – Polaris Fanfare
The University of Alabama at Birmingham Brass Quintet consists of Dr. James Zingara and Dr. Steve Roberts, trumpets, Dr. Martin Cochran, euphonium, Jeff Koonce, trombone, and Scott Robertson, tuba.
Tomorrow Kathryn Fouse and Adam Bowles kick off a four city tour presented by the Birmingham Art Music Alliance. They’ll perform a program of new compositions for piano duo, including the premiere of my piece Cypher, A Circle.
Thursday, Oct. 3, 8:00 pm – Oakwood University, Huntsville AL
Tuesday, Oct. 8, 7:30 pm – University of Montevallo, Montevallo AL
Friday, Oct. 18, 7:30 pm – Jacksonville State University, Jacksonville AL
Tuesday, Nov. 5, 1:15 pm – Shelton State University, Tuscaloosa AL
Spain on My Mind – Adriana Perera
Limited Transit – Michael Coleman
Frequent Flyer – Cynthia Miller
Left of Center – William Price
Cypher, A Circle – Holland Hopson
Three Movements for Two Pianos – Edwin Robertson
So I Can See Willy – Monroe Golden