I wrote A History of Elevators in Film for Aron’s Beyond 12 tour of the Southeast last spring. The piece uses a virtual piano that is retuned on the fly based on choices made by the performer. Below is the complete program for the concert. I wish I were on the other side of the continent next week to hear it.
Kyle Gann – Fugitive Objects Marc Sabat – Intonation after Morton Feldman I, from Les Duresses Eric Moe – The Weasel of Melancholy Johann Joseph Vilsmayr – Partita IV, from Six Partitas Holland Hopson – A History of Elevators in Film Marc Sabat – Two Commas, from Les Duresses Alex Miller – The Blur of Time and Memory
The Austin New Music Co-op celebrates their tenth anniversary with concerts tonight and tomorrow. Details here; Preview articles in the Austinist and Austin 360. I joined the co-op shortly after it began and enjoyed participating in many memorable events while in Austin.
In honor of 10 years of great co-op concerts, here’s a recording from the September 8, 2006 event featuring Fred Lonberg-Holm. This was the premiere of We Would Like to Take This Opportunity, a work for cello soloist with any three string instruments. The performers here are Fred Lonberg-Holm, cello solo; James Alexander, viola; Steve Bernal, cello; Travis Weller, violin.
Lucre is the improvising trio of Chris Cogburn , Bryan Eubanks, and Vic Rawlings who perform with exposed circuits, extended ampli?ed cello, low-? modular synthesis, and stripped down percussion.
Jonathan Chen will perform a solo set of music for electronics, viola and violin.
Chris is a good friend from my Austin days and does great work with the No Idea Festival. I’m very excited he’ll be playing in Albany. And I’m equally excited that local artist Jonathan Chen is finally getting a chance to present his work.
More information about the artists after the break…