Cycling ’74 has posted a new video from the Science Fair they hosted as part of the recent Expo ’74 event in Brooklyn. I show off my extended banjo instrument (along with my unashamedly geeky enthusiasm). My segment runs from 2:16-3:13, but watch the whole thing and marvel at the wonderful, strange things people do with Max (and their own geeky enthusiasms). Other videos in the series can be found here.

And a big shout out to Eric Prust who built the fine fretless banjo (minus the electronics) in the video.

Download the score as a pdf file: fencepost.pdf
Download the score as a Lilypond .ly file: fencepost.ly

Notes on Fencepost

• The cFCFAb tuning is one I came to after trying a more standard minor (fCFAbC) or sawmill (cFCFG) tuning. I use a Pythagorean temperament based on F which doesn’t change the tuning of the C’s and F’s very much, but makes the Ab significantly flatter than an equal-tempered Ab.
• The whooshing, windy sound throughout (heard prominently during the intro) is generated by walking on a pair of foot pedals, almost the way you would pump an old pump organ. (You can see this motion in the video.)
• While recording, I kept missing the foot pedals and accidentally stepping on a mic stand instead. I decided to embrace the resulting bass drum thumps and include them in the piece.
• Yet another song with bird imagery (YASWBI).

Below are the videos of my solo performances.

This version of “Blackjack David” served as the basis of the performance with Matthew Carefully heard here.

The audio recording of “Everyone Looks to the Sky” was previously posted here.

improv1 from ps on Vimeo.

improv2 from ps on Vimeo.

I look forward to seeing how this project continues to take shape.

Here’s an evocative short film by David New honoring R. Murray Schafer

Jason Cosco was kind enough to post a video of me performing Wichita Mind Control for bent electronics with MaxMSP at the Upstate Artist’s Guild Gallery last April. This was the premiere performance of the piece. Though my pieces often changes incrementally (or sometimes substantially) as I continue to perform them, this first shot at WMC still feels definitive to me.

Here’s audio of the same performance (previously posted here)

Wichita Mind Control – Estate Capital

Don’t Let Your Deal Go Down

Born in the Desert

Born in the Desert from Holland Hopson on Vimeo.

Wichita Mind Control – Estate Capital

Wichita Mind Control – Estate Capital from Holland Hopson on Vimeo.

Saturday June 20 @ 8pm
Upstate Artists Guild
247 Lark St.
$5 suggested donation

Ian Nagoski (Black Mirror/Canary Records/Mississippi Records)

Robert Millis (Climax Golden Twins/Victrola Favorites/Sublime Frequencies)

Rare and unseen Sublime Frequencies (www.sublimefrequencies.com) films will be screened, with the director in attendance. This very special night will appeal to music lovers, film buffs, world scholars, those interested in South Asia, history fiends, and anyone with an eye for the beauty of uncovered cultural treasures from around the globe.

I wrote about Ian’s last visit to the Capital Region here and look forward to hearing him again. Sublime Frequencies’s releases have provided consistent inspiration and enjoyment, particularly Radio Sumatra.

Program:

India at 78rpm
Folk and classical music in India through the lens of the largest private collection of 78rpm records and dusty ephemera on the sub-continent.

My Friend Rain
Decay and rebirth and death through the endless Asian monsoon cycle. A collage of musical segments and tropical ambiance from Robert Millis and Alan Bishop.

Phi Ta Khon: Ghosts of Isan
A traditional Buddhist ghost festival from Thailand’s Isan province that features beautiful handmade masks, outrageous wooden phalluses, ceremony, ritual, dancing, and endless music.