Ten Years of One 4 One

One 4 One is now available for download at Bandcamp!

Today marks the ten-year anniversary of One 4 One, the live recording of a set I performed at the Arts Center in Troy NY as part of the Impulse/Response series. The album had previously been available via Amie Street (RIP).

One 4 One includes 5 pieces for extended soprano saxophone and computer, and one piece for sipsi and computer. All of the pieces involve some degree of interactivity–the computer responds to the live instrument, and the performer responds to the computer’s output–made possible by custom software written with Cycling 74‘s Max. The name of the album is a pun on the date, of course, and it also refers to mapping inputs to outputs.

Shout Outs from Metroland: Best of the Capital Region 2010

Metroland Best of the Captial Region 2010; Cover photo by Alicia Solsman

Metroland’s Best of the Capital Region for 2010 came out last week and I am surprised and pleased to be included as the Best Retro-Futurist. Sure, it’s a made-up category, but it’s a good fit. Here’s what they have to say:

Composer and instrumentalist Holland Hopson has been a contributor to the region’s avant-garde music scene for the better part of 20 year—whether it’s vocal excursions that meld Gregorian chant and Dada, or soprano sax forays that come pretty close to “straight-up” jazz, the breadth and range of this iconoclast’s musical journey has always been intriguing, albeit way outside of the box. Hopson’s recent blending of traditional tunes (performed with vocals and banjo) and subtle electronics has turned him into one of the area’s most mesmerizing and memorable live performers. Catch him if you can, as his local shows tend to be few and far between.

Metroland has identified plenty of other (probably more deserving) best-of recipients including such friends and colleagues as Jason Cosco/Grab Ass Cowboys (Best Noise Wrangler); EMPAC (Best Music Curation) — this ought to read Micah Silver, in my opinion, since he is the Music Curator at EMPAC; The Sanctuary for Independent Media (Best Activist Community Arts Center); and Emily Zimmerman (Best Emerging Curator).

These accolades come on the heels of a conversation with a friend at the latest show presented by the Albany Sonic Arts Collective. We were talking about how important it is for a community of artists to receive some recognition from the local press and the concomitant pitfalls of letting it go to your head. A timely conversation for the former and hopefully we’ll avoid the latter. The ASAC event was a great set of performances, by the way, particularly from Fossils from the Sun (Ray Hare) and Family Battle Snake (Bill Kouligas).

ASAC Presents Eli Keszler & Ashley Paul, Peaking Lights

A last-minute announcement for tonight’s Albany Sonic Arts show featuring Eli Keszler & Ashley Paul along with Peaking Lights. Also on the bill are Black Chalk.

Tuesday August 11 @ 8pm
Upstate Artists Guild
247 Lark St.
$5 suggested donation

Eli Keszler & Ashley Paul
and
Peaking Lights
(plus mystery band, Black Chalk)

Bios after the jump.

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Monk’s Advice

Here’s some New Year Resolution fodder from Thelonious Monk via Steve Lacy.

Monk's advice

Thanks to James Keepnews for sharing.

And here’s a shot of Monk’s iconic hat I took on a recent visit to the Smithsonian Museum of American History.

Thelonious Monk's Hat at the Smithsonian Museum of American History

Thelonious Monk's Hat at the Smithsonian Museum of American History

Tele-Morphosis

I’ll be playing soprano sax in another telematic performance on Thursday August 28 @ 2:00pm. This one is part of the International Computer Music Conference (ICMC) in Belfast, Northern Ireland. It’s an improvisation called Tele-Morphosis directed by Pauline Oliveros that features performers from Stanford, CA; Troy, NY; and Belfast, Northern Ireland all connected together in real-time. I haven’t seen any info re: streaming of the performance, but if I do I’ll certainly post a link.

One 4 One on 8/4/8

I’ve just added a new album on amiestreet.com. One 4 One is a live recording of interactive electronic music from a performance at the Impulse/Response series in Troy, NY. The title of the album is a play on the direct, one-to-one relationships between performer and computer that I was deliberately avoiding. Plus, the performance took place on January 4, 2001, hence the title. Every 390 days since (give or take) I’ve been meaning to do something with the recordings. Luckily I got around to it before 2013. (Drop me a line if you figure that one out and I’ll send you a special little something.

Check it out on amiestreet, or listen to the tracks below.

Maps Breaks $1. Maps is Free. Long Live Maps.

The price for my Maps CD on amiestreet.com recently broke the $1.00 barrier (see below). To celebrate I’ve the posted the album in its entirety at grabrarearts.com. Go here for complete information or use the link below to get it all in one swell foop. This is part of my pledge to make more of my music available for download in 2008. I’ll have more coming up soon, so stay tuned.

Download the full album including artwork: hopson_maps.zip

ASAC Presents Yeh Eubanks Lafkas Clixby

The Albany Sonic Arts Collective has announced their latest show: Saturday March 22, at the UAG Gallery. The lineup features

C. SPENCER YEH (solo violin, electronics)

BRYAN EUBANKS (saxophone) & ANDREW LAFKAS (bass)

MEG CLIXBY (bass, electronics)

The Upstate Artists Guild 247 Lark St.
Albany, NY: Saturday March 22, 2008
Doors at 7:30 pm: show at 8:00
$5 suggested donation at the door

C. Spencer Yeh Flyer

More on the musicians:

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A.I.N.T. it Sweet

Josh Ronsen has launched the Austinnitus Audio Series to showcase artists featured on the Austinnitus list. There are already plenty of good recordings to check out and Josh continues to add more. I’ve especially enjoy hearing documentation of some one-off performances, otherwise lost to the ether, such as A.I.N.T. #4. A.I.N.T. stands for Austinnitus Improv NighT, as good an excuse as any for Josh to create ad-hoc ensembles and let them loose on the world. The fourth (and final?) of this short-lived series featured Sharon Crutcher (vocals), David DeMaris (keyboards, trumpet), Holland Hopson (saxophone, banjo, electronics), Genevieve Walsh (flute), Brandon Young (vocals).

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Part 1

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Part 2

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Part 3

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Part 4

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Part 5