Had a great time building a cigar box guitar under the direction of John Nickel at Nickel Cigar Box Guitar.
Here’s a detail of the piezo pickup that we installed in the cigar box. The small block of wood on the left is later glued to cover the piezo element.
Here’s the latest on all things Location Ensemble:
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One from the archives: James Keepnews taking us to school in 2002. Photo: Chris Funkhauser
I’m super excited to reunite with partner James Keepnews for this duo show at Backstage Productions in Kingston on Friday June 3. We’ll be performing duets for saxophone, guitar and lots o’ electronics. There may be a banjo piece in there, too.
Our hosts for the night are the Woodstock Quantum Ensemble featuring Johnny Asia (guitar), Damon Banks (electric bass), Joakim Lartey (percussion) and Gus Mancini (reeds).
Fri, June 3, 2011 7:30 pm
The Woodstock Quantum Ensemble &
Holland Hopson/James Keepnews
Backstage Productions
Kingston, NY
$15
$10 students/seniors
Find all the info at AllAboutJazz.com
The view of the Florida scrub outside my window
I’ve just returned from an energizing and productive residency at the Atlantic Center for the Arts where I worked with David Behrman and an inspiring group of fellow composers and performers. We shared our time there with an outstanding group of visual artists led by Diana Cooper and a delightful gathering of writers led by Victoria Redel.
Here are some signs found around the beautiful ACA campus. I’ll post recordings (and hopefully video) of the work I did there soon.
I’m excited to play with members of Albany Sonic Arts Collective‘s Century Plants and Insect Posse for a performance dubbed Plants and Insects. The event is part of Troy Night Out so it’s free and drop-in friendly (how else do you say “come on by and stay as long or little as you’d like?”).
Friday, August 26, 5-9pm
The Arts Center of the Capital Region
256 River St.
Troy, NY
Free!
Here are some photos of the sunset during the recent Mt. Washington shoot. Sounds will be coming soon!
Sunset light on the Tip Top House
For information about the film go to: http://observatoryfilm.com/
I’ve just started the summer portion of the Mt. Washington film shoot. I hope to write more later about how the mountain is different in the summer than the winter.
Here’s a photo of my audio gear in the corner of an office that was very kindly provided for our use. It’s followed by a shot showing the omni mic I rigged onto the strap of my recording bag. I was hoping to have a true Mid-Side setup this time around but couldn’t get the figure-eight mic I needed. This setup isn’t ideal but it gives me a different perspective on everything I record. (I’ve got two inputs on my recorder so might as well use them both.) The brown fuzzy is a DIY wind screen made from fake fur.
Here are some recordings and photos from my June 19 show at Sedition Gallery in Sydney, Australia. The performance was part of the Left Coast Festival 2010.
The first set consisted of duo improvisations by Holland Hopson, fretless banjo and electronics with Mike Majkowski, double bass.
Holland Hopson & Mike Majkowski; Photo: Terumi Narushima
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Hopson Majkowski Improvisation 1.mp3
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Hopson Majkowski Improvisation 2.mp3
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Hopson Majkowski Improvisation 3.mp3
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Hopson Majkowski Improvisation 4.mp3
Next was a wonderful set by Kraig Grady, just tuned vibraphone and Terumi Narushima, just tuned pump organ.
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Holland Hopson & Mike Majkowski; photo: Terumi Narushima
Here are a few photos from last night’s NIME concert.
January 11: Summit Weather
A foggy day with visibility down to 1/16th of a mile. The observatory reported zero hours of sunshine for the day. Perfect conditions for rime ice. We could hardly step outside without it accumulating on our clothes and, of course, our gear.
My recording bag covered in rime ice. My headphones were unscathed since I wore them under my balaclava (and hat (and parka hood)).
I brought out my contact mics to record the sound of rime accumulating on them. The best spot I found was attaching them to the windward side of a wooden sign post. Here’s an excerpt:
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Listening to the entire recording one can clearly hear the frequency of the resonant ping sounds increase as more ice accumulates. I suspect the ice accumulation reduces the surface area of the contact mic or otherwise stiffens the transducer–in a manner similar to a drummer increasing the pressure on a drum head and thus causing the pitch to rise.
Here’s a recording of an ice-covered chain squeaking in the wind. The squeak is less metallic than I expected, sounding more like rubbing ice cubes together.
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Here’s a photo of the chain (taken on another, much sunnier day). Yes, this chain appears to be preventing the building from blowing off the mountain. The story I heard is that the chains were an important part of the original building. When they rebuilt the structure, chains were included as an historical and decorative element. There were times when I could have used a chain or two to prevent me from blowing away.
Jackie and I covered in rime ice after our contact mic recording expedition.
