Tape Drift Records has recently re-released Location Ensemble’s self-titled live recording as a digital download on Bandcamp. The recording is from a concert at the Saratoga Arts Center in 2012. Tracks include Eric Hardiman’s hocketing, krautrock burner Diversion #3, My Six Chords Every Rock Guitarist Should Know and Thomas Lail’s Sonic Youth-inspired Untitled (All the Times She Loves Me).
Tomorrow I play a free concert at the Hoover Library Theatre with Matt Bryant in a performance billed as Traditional Instruments Reimagined. I’ll perform a song-based set of music for banjo and live electronics. Part of the performance will be on my newest instrument – a custom electric guitar/banjo hybrid built for me by Jefferson Pitcher of Pitcher Guitars. (More about the instrument later…)
Matt Bryant performs on ukulele and electronics. I heard him give a blazing performance at the Spring Street Firehouse in May. I’m looking forward to hearing more.
Thursday October 6, 6:30pm
Hoover Library Theater
200 Municipal Drive
Hoover AL 35216
The Hoover Library Theatre’s main stage is being renovated, so this event will be in the upstairs venue.
Tomorrow I’ll be joining friends in the Birmingham Art Music Alliance for a DIY Composers Concert featuring composer/performers playing their own compositions. I’ll be performing music for banjo, live electronics and voice. Also on the program are Raphael Crystal and Gaines Brake, Monroe Golden, Kenneth Kuhn, Kyle McGucken and area newcomer Geni Skendo.
Tuesday August 9 7pm
BAMA “DIY” Concert
Unitarian Universalist Church of Birmingham
4300 Hampton Heights Dr
Birmingham AL 35209
DIY = Do It Yourself, of course
DIT = Do It Together (and in this case, Do It Tuesday)
Tomorrow I’ll be performing as part of the Cicada Consort Charity Marathon. The music begins at noon and continues until 8pm. Proceeds from the event will benefit the Michael J. Fox Foundation for Parkinson’s Disease Research. My performances will be in the sixth(!) concert of the day (around 5pm) and will include “Steel Bearing Load” for lap steel and computer, “Windowed Pulses” for transducers and computer (one of my radicans project pieces) and maybe a song for banjo and live electronics. Check out the full program.
Cicada Consort Charity Marathon
Moody Music Hall
Tuscaloosa, Alabama 35401
The event is free with a donation to the Michael J. Fox Foundation for Parkinson’s Disease Research through: http://
The Sonic Frontiers Workshop Series at The Grocery concludes this week. I will present an introduction to interactive electronic music including a live performance or two. Then workshop attendees will create a one-night-only audio installation in The Grocery gallery using the Cycling ’74 Max modular programming environment. The Grocery will be closing its doors at the end of the month, so this is one of the last chances to come experience an important hub for cultural life in the Tuscaloosa area.
Sonic Frontiers Workshop #6
Wednesday June 10 7pm
900 Main Avenue
Bring an instrument/noisemaker, or just come to listen. No previous experience is necessary. The Grocery gets hot in the summer, so dress appropriately.
Soprano Susan Williams will premiere Sudden Swan for voice and live electronics at the Birmingham New Music Festival on Saturday August 23 at 7:30pm. The concert is at , 950 13th Street South, Birmingham, AL. Admission is free.
Susan and I have known each other since our college days at Birmingham-Southern. Since then she’s landed leading opera roles and appeared with the Cleveland Orchestra, Akron Symphony, Duke Symphony Orchestra and many others. This is the first time Susan and I have worked on a piece together, and we’re so excited to present it on Saturday.
The performer in Sudden Swan improvises a melody to a drone using a small set of just-tuned pitches. Each pitch is associated with one or more words which are strung together to create an ever-evolving poetry. The computer responds to variations in the vocal performance with subtle shifts of timbre, pulsating rhythms, and sometimes unpredictable flourishes.
Here’s a snippet of our working score:
Here are live recordings from this spring’s Parkside performance with John Wiese, Steve Jansen and Brad Davis. This is from my buzzy, noisy Radicans project which uses small motors and soundbug transducers (audio speakers without cones) to transform ordinary objects in the performance space into speakers.
Thanks to Eric Hardiman for shooting and posting videos from Saturday’s Albany Sonic Arts Collective show.
This is the premiere of a soon-to-be-titled work built around the idea of treating a fader box as a set of pump organ pedals, rather than simple position sensors. Using Cycling ’74’s Max I can control the organ sounds with a variety of gestures: “pumping” the faders makes the sounds louder, rhythmic motion creates harmonics, sudden and abrupt changes add distortion and bite. The samples that appear at 5:30 are from a 2010 recording session with choreographer Jill Sigman (previous story here).
(Start at 1:32 to skip the embarrassing banter and the hopeless yet obligatory banjo tuning…)
“No Mule” is another brand-new tune. The rhythmic chopping effect is a kind of slow-motion walk through a live sample of the banjo. I add a few more live samples beginning at about 4:00 and get into full-on Steve Reich mode by 6:00.