My new string quartet will be premiered at Chamber Music @ AEIVA. Carrier Hotel Victoria was written in response to Irene Grau‘s exhibit. Her work and mine both reference Alphonse Allais’ collection of monochromes, Album Primo Avrilesque. The quartet unfolds with each musician proceeding independently, as if reading through Allais’ book of colors—the resulting mixtures generating subtle variations of the monochromes.
Here’s a recording of the premiere performance of Follows from Hummingbird for 3 or more sustaining instruments. The performers are Hillary Tidman, flute; Brad Whitfield, clarinet; and Laura Usiskin, cello.
I’m so happy with this first performance; the musicians nailed it. My scores often require a period of workshopping—work that reaches beyond typical rehearsal activity to include comparing alternate realizations, discussing timing, and lots of listening—so premiere performances can be risky. These performers, however, really embraced the spirit of the piece and pulled it off with elegance and aplomb.
The work is based on Hummingbirds (1997) a group of small Oil paintings on linen by the artist Enrique Martínez Celaya.
Follows From Hummingbird, my brand-new piece for three or more sustaining instruments, gets its premiere on Thursday at the Abroms-Engel Institute for Visual Arts in a concert of chamber music inspired by the visual art of Enrique Martínez Celaya. The piece will be performed by Hillary Tidman, flute; Laura Usiskin, cello; and Brad Whitfield, clarinet. The event begins at 5pm with a reception and time to take in the artwork, followed by the concert at 5:30pm.
Follows From Hummingbird is one of a series of pieces I’ve completed recently that uses a circular structure to organize musical modules. The middle section of this piece employs a spirograph-style traversal of the points around the circle which generates a charming flower shape in the score; a welcome side-effect of the process.