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	<title>The Field Guide &#187; Lala</title>
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		<title>The Next Lala</title>
		<link>http://fieldguide.hollandhopson.com/2008/06/03/the-next-lala/</link>
		<comments>http://fieldguide.hollandhopson.com/2008/06/03/the-next-lala/#comments</comments>
		<pubDate>Wed, 04 Jun 2008 03:44:06 +0000</pubDate>
		<dc:creator>Holland Hopson</dc:creator>
				<category><![CDATA[Music]]></category>
		<category><![CDATA[Lala]]></category>

		<guid isPermaLink="false">http://fieldguide.hollandhopson.com/?p=93</guid>
		<description><![CDATA[Peter Kirn at Create Digital Music has reviewed the latest incarnation of lala.com that was recently released in beta as next.lala.com. As a longtime Lala user I agree with his conclusions, and find his idea of tiered music pricing and &#8230; <a href="http://fieldguide.hollandhopson.com/2008/06/03/the-next-lala/">Continue reading <span class="meta-nav">&#8594;</span></a>]]></description>
			<content:encoded><![CDATA[<p>Peter Kirn at <a href="http://createdigitalmusic.com" target="_blank">Create Digital Music</a> has <a href="http://createdigitalmusic.com/2008/06/03/lala-free-music-streaming-and-why-tiered-pricing-is-the-future/" target="_blank">reviewed the latest incarnation of lala.com</a> that was recently released in beta as <a href="http://next.lala.com" target="_blank">next.lala.com</a>. As a longtime Lala user I agree with his conclusions, and find his idea of tiered music pricing and his comparison of lala with terrestrial radio to be appropriate. Too bad the radio-like features of next.lala.com aren&#8217;t exactly riveting. True, you can stream tons of music for free, but the streams are only on a per album basis. Once upon a time, an older version of lala.com allowed users to create and share playlists&#8211;essentially turning anyone into the DJ of their own radio station. I&#8217;d love to see this feature brought back, or even some relational music suggestions based on recent tracks played. In other words, what makes good radio good is that it&#8217;s curated (and what makes bad radio horrible is that it&#8217;s overly-curated&#8230;another story). The thrill of radio for me is that something great might come on next and sadly, next.lala.com doesn&#8217;t allow it. There&#8217;s not even a shuffle button. I&#8217;ll admit I&#8217;ve been having fun checking out albums on next.lala.com, but I can&#8217;t say the experience has been one of discovery. It&#8217;s more like visiting the reading room at the NY Public Library or the Library of Congress or the British Museum. You finally get to hold a book you&#8217;ve been looking for, and then the reading room closes and it&#8217;s time to give it back.</p>
<p>Speaking of giving things back, I&#8217;m glad to see CD trading hasn&#8217;t been thrown out on next.lala.com. I regularly get new music from lala by trading my older CDs for someone else&#8217;s. Yes, CD sales are down and may never recover&#8211;boo hoo. But right now seems like a great time to trade CDs because they&#8217;re suddenly perceived as less valuable while still quite usable and not yet so rare as to be collector&#8217;s items.</p>
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		<title>Year-end round-up let-down</title>
		<link>http://fieldguide.hollandhopson.com/2007/12/27/year-end-round-up-let-down/</link>
		<comments>http://fieldguide.hollandhopson.com/2007/12/27/year-end-round-up-let-down/#comments</comments>
		<pubDate>Thu, 27 Dec 2007 18:55:10 +0000</pubDate>
		<dc:creator>Holland Hopson</dc:creator>
				<category><![CDATA[Music]]></category>
		<category><![CDATA[Albany]]></category>
		<category><![CDATA[amiestreet]]></category>
		<category><![CDATA[Austin]]></category>
		<category><![CDATA[Baby]]></category>
		<category><![CDATA[Bob Ostertag]]></category>
		<category><![CDATA[Lala]]></category>
		<category><![CDATA[New Music]]></category>
		<category><![CDATA[Steve Coleman]]></category>
		<category><![CDATA[World Music]]></category>

		<guid isPermaLink="false">http://fieldguide.hollandhopson.com/2007/12/27/year-end-round-up-let-down/</guid>
		<description><![CDATA[I always enjoy reading best-of-the-year lists and thought I&#8217;d add to the glut. But looking through my music collection I realized how few new releases I bought this year. I simply can&#8217;t make a best-music-of-the-year list because I hardly heard &#8230; <a href="http://fieldguide.hollandhopson.com/2007/12/27/year-end-round-up-let-down/">Continue reading <span class="meta-nav">&#8594;</span></a>]]></description>
			<content:encoded><![CDATA[<p>I always enjoy reading best-of-the-year lists and thought I&#8217;d add to the glut. But looking through my music collection I realized how few new releases I bought this year. I simply can&#8217;t make a best-music-of-the-year list because I hardly heard anything released this year! A strange statement for a musician to make, but here&#8217;s why.</p>
<p>My music buying habits usually follow two, possibly contradictory patterns which I&#8217;ll call direct-from-the-source and bottom-feeding. Direct-from-the-source is from the artist herself. Go to the show, listen to the music, talk the artist, buy the CD. Or when I&#8217;m on the bill, I&#8217;ll often get another artist&#8217;s CD by trading one of mine. With the birth of my son at the end of 2006, I&#8217;ve attended and played far fewer shows than usual in 2007. Hence, fewer 2007 CDs to hear.</p>
<p>Bottom-feeding is my tendency to scour the used CD racks. Since moving from Austin to Albany, though, my selection of decent used CDs has plummeted. Luckily, there&#8217;s <a href="http://www.lala.com" target="_blank">lala.com</a>, my single biggest source of CDs for 2007. Of course, bottom-feeding results in far fewer new releases, though I picked up a handful at Amoeba Music in Berkeley.</p>
<p>So, I&#8217;m a cheap-skate and a shut-in. But I&#8217;m a music loving cheap-skate shut-in. A glance back at those iTunes stats shows I added over 9 days of music to my collection during 2007, and that doesn&#8217;t include some of the CDs I acquired but plan to trade away. I listened to more music than ever this year&#8211;apparently most of it was &#8220;The Song of the Long Tail.&#8221;</p>
<p>Those iTunes stats revealed another trend for 2007. If 2006 was the year of the music blog (keep &#8216;em comin&#8217; <a href="http://destination-out.com/" target="_blank">destination: OUT</a>, <a href="http://music.for-robots.com/" target="_blank">Music for Robots</a>, <a href="http://www.fluxblog.org/" target="_blank">fluxblog</a>, <a href="http://endofworldmusic.blogspot.com/" target="_blank">End(-)Of(-)World Music</a>, <a href="http://www.ubu.com/sound/" target="_blank">UBUweb</a>) then 2007 was the year of the free album. Radiohead&#8217;s <em>In Rainbows</em> was the most visible here, though I have yet to download it. I did enjoy albums from <a href="http://www.edogm.net/" target="_blank">eDogm and insubordinations</a> and free music standbys such as <a href="http://www.m-base.org/sounds.html" target="_blank">Steve Coleman</a> and <a href="http://bobostertag.com/" target="_blank">Bob Ostertag</a>.  <a href="http://amiestreet.com/" target="_blank">Amiestreet</a> was another reliable source for free or almost free music. And the great aggregator remains <a href="http://freealbums.blogsome.com/" target="_blank">Free Albums Galore</a>.</p>
<p>One of my New Year&#8217;s resolutions is to make more of my own albums available online for free. You&#8217;ll hear about it at the Field Guide when I do. And another resolution? How about I get out a little more in 2008?</p>
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		<title>New Music Online: Part 1: Lala.com</title>
		<link>http://fieldguide.hollandhopson.com/2007/09/17/new-music-online-part-1-lalacom/</link>
		<comments>http://fieldguide.hollandhopson.com/2007/09/17/new-music-online-part-1-lalacom/#comments</comments>
		<pubDate>Mon, 17 Sep 2007 15:54:36 +0000</pubDate>
		<dc:creator>Holland Hopson</dc:creator>
				<category><![CDATA[Music]]></category>
		<category><![CDATA[Lala]]></category>
		<category><![CDATA[New Music]]></category>

		<guid isPermaLink="false">http://fieldguide.hollandhopson.com/2007/09/17/new-music-online-part-1-lalacom/</guid>
		<description><![CDATA[I&#8217;m writing about my experiences with lala.com as the first part of a series focusing on music distribution models on the internet. Other posts may cover amiestreet.com, online radio services such as pandora and music networking sites like mog. I&#8217;m &#8230; <a href="http://fieldguide.hollandhopson.com/2007/09/17/new-music-online-part-1-lalacom/">Continue reading <span class="meta-nav">&#8594;</span></a>]]></description>
			<content:encoded><![CDATA[<p>I&#8217;m writing about my experiences with <a href="http://www.lala.com" target="_blank">lala.com</a> as the first part of a series focusing on music distribution models on the internet. Other posts may cover <a href="http://amiestreet.com" target="_blank">amiestreet.com</a>, online radio services such as <a href="http://www.pandora.com/" target="_blank">pandora</a> and music networking sites like <a href="http://mog.com/" target="_blank">mog</a>. I&#8217;m particularly interested in how these sites serve experimental music and musicians. My definition of experimental music is a broad one, covering 20th and 21st century classical music, avant-flavored jazz, fringe areas of pop and rock, and other non-mainstream varieties.</p>
<p><strong>What is it?</strong></p>
<p>Lala.com is a CD trading service. The site has recently expanded to include an online music player, but its functionality remains limited, so I&#8217;ll focus on the CD trading aspect of the service. I have found lala.com to be a low-cost, low-risk way to expand my music library.</p>
<p><strong>How it works</strong></p>
<p>Users post a list of CDs they own and are willing to trade. They also create a list of CDs they want. The lala.com database facilitates trades between users. These trades are not usually direct, one-to-one exchanges (e.g. I send you a CD you want in exchange for a CD from you that I want). More typically, User A sends out a CD to User B and receives a CD from User C. Each CD received costs $1.75 including shipping and handling. There is no charge for sending CDs.<br />
<span id="more-9"></span></p>
<p><strong>My experience and Drawbacks</strong></p>
<p>Lala has safeguards for common problems with trades such as receiving the wrong disc, a damaged disc, or not receiving the disc at all. In 165 trades I have never received a broken or unplayable disc and I have only had 1 disc go awol.</p>
<p>Other issues result from the way the service is structured. For example, users are unable to prioritize their list of wants. Discs are sent when another user decides to ship, so rare, coveted discs are less likely to be sent. Ideally, you get what you give, and Lala tracks each user&#8217;s trading behavior or &#8220;karma&#8221; to make sure things even out. I have found that it&#8217;s easier to receive more popular, better selling discs, in particular, older discs. It&#8217;s not impossible to receive a non-blockbuster on your want list; 15 of my 72 received discs are CDs of experimental music and most of the others fall into some more popular &#8216;alt&#8217; genre. Only a few would be considered blockbusters.</p>
<p>Another drawback is that multi-disc sets are treated separately, so there&#8217;s no guarantee you&#8217;ll get both discs. Early in my experience with Lala I received the first disc of Golijov&#8217;s <a href="http://www.amazon.com/gp/redirect.html%3FASIN=B00005O7SX%26tag=thefiegui-20%26lcode=xm2%26cID=2025%26ccmID=165953%26location=/o/ASIN/B00005O7SX%253FSubscriptionId=1N9AHEAQ2F6SVD97BE02" target="_blank">La Pasion Segun San Marcos (St. Mark Passion)</a>, but I have yet to receive the second. Conversely, I received both discs of <a href="http://www.amazon.com/gp/redirect.html%3FASIN=B00000J7SS%26tag=thefiegui-20%26lcode=xm2%26cID=2025%26ccmID=165953%26location=/o/ASIN/B00000J7SS%253FSubscriptionId=1N9AHEAQ2F6SVD97BE02" target="_blank">Bitches Brew</a> within a week or two.</p>
<p>All of this trading activity relies on Lala&#8217;s database of CD titles. Most commercially released CDs are in the Lala database but not all. I have found a few discs that were misidentified or had the wrong cover art. Most problems can be avoided if you are careful about requesting the correct disc when more than one version is available (bonus tracks, imports, clean versions of discs, etc.) A more serious drawback for experimental music fans is that not all commercially released CDs are represented. And it&#8217;s currently not possible to add CDs to the database, particularly CDr releases or discs that lack bar codes.</p>
<p><strong>Why I love Lala.com</strong></p>
<p>Despite these caveats I have found Lala to be a great way to explore music on the cheap while finding good homes for your discs you don&#8217;t listen to anymore. Given patience, a willingness to participate, and a sufficiently large want list you can be surprised with a new disc in the mail on a regular basis. And at $1.75 per disc it&#8217;s often worth the wait.</p>
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