I’ll be performing …about the size of a fist and located slightly to the left of… at the Birmingham New Music Festival electroacoustic concert.
Thursday October 18 7:00pm Birmingham New Music Festival
University of Alabama at Birmingham
Hulsey Recital Hall
950 13th Street South
The piece is an improvisation (composed instrument?) using a custom mapping of an off-the-shelf MIDI fader box (the Korg nanokontrol2 pictured above). The typical position information of each fader/knob is ignored in favor of gestural information about how the control is manipulated over time. This transforms the controls into virtual bellows on a pump organ or springs in a wind-up toy.
I’ll also share the stage with Geni Skendo and LaDonna Smith for an improvisation.
I’m so happy to have an opportunity to play with Tim Perkis tonight. Tim will perform a solo set, then Andrew Raffo Dewar and I will join him for a set of improvisations. Tim will be playing his Touch Typing instrument featured in the video below. I first heard Touch Typing sometime in the 1990’s on the excellent Artificial Horizon recording with John Bischoff, so I’m looking forward to hearing Tim in person tonight.
Friday January 27 7:30pm Sonic Frontiers presents
with Andrew Raffo Dewar and Holland Hopson
Moody Music Hall, UA School of Music
810 Second Ave, Tuscaloosa AL
Thursday October 22, 8pm Gallery MC
549 W 52nd St, Fl 8th
New York, New York 10019
This concert is part of the Vox Novus Festival celebrating 15 years of work. Vox Novus and Circuit Bridges have teamed up with BAMA in a composer exchange (kind of like hostages, only composers are somewhat more demanding—requiring better food, more liquor—and not as susceptible to audio torture). The exchange began a few weeks ago with the Birmingham Art Music Alliance welcoming a contingent of NY-based composers for the Birmingham New Music Festival. This weekend Monroe Golden, Mark Lackey, Brian Moon, William Price and I are being hosted by Circuit Bridges.
I’ll be performing Alap Catfish Impala, a new piece for banjo voice and live electronics. It’s a mashup (or maybe a medley?) of clawhammer blues and just-tuned modal improvisations.
These works began last spring with recordings of Hank’s students reading phrases from his poem. This summer I edited the recordings, processed them beyond recognition, added more sounds, used the shape of each line from the poem to guide electronic improvisations, and otherwise had a great time designing sounds in the studio. Hank reigned it all in and helped me shape the material into three sections.
Check out the journal for a reproduction of Hank’s visual poetry, or listen to all the audio from the issue below (including a piece by Pauline Oliveros).
The Grocery and Sonic Frontiers present a series of monthly participatory workshops beginning tonight and running until June 10. These casual, exploratory music sessions will provide an open and low-pressure environment for interested attendees to investigate improvisation, new compositions, interactive electronics and other musical practices through focused listening, discussion, and hands-on engagement.
The workshops take place at 7 p.m. on the second Wednesday of each month at The Grocery, an artist-run studio, exhibit, and performance space located at 900 Main Avenue, two blocks north of the main intersection in downtown historic Northport.
Bring your instrument, or just come to listen. No previous experience is necessary. The workshops are free and open to the public (a $1-$10 donation is suggested).
I’m excited to perform as part of Kentuck’s Art Night on Thursday November 7. Art Night begins at 5pm; music starts at 6pm. I’ll be performing a set of solo improvisations to accompany Andy Warhol’s screen tests.
…an undeniable abundance of tracks here that feature truly stellar interplay, as well as inspired improvisation; see the stuttering duet, “Border Incident.” Full of distant, creepy sounds and scattered moments of close, guitar-sax discourse, Hunting and Gathering is an enjoyable mash of breath and circuitry.