Tim Perkis Touch Typing Tonight

I’m so happy to have an opportunity to play with Tim Perkis tonight. Tim will perform a solo set, then Andrew Raffo Dewar and I will join him for a set of improvisations. Tim will be playing his Touch Typing instrument featured in the video below. I first heard Touch Typing sometime in the 1990’s on the excellent Artificial Horizon recording with John Bischoff, so I’m looking forward to hearing Tim in person tonight.

Friday January 27 7:30pm
Sonic Frontiers presents
Tim Perkis
with Andrew Raffo Dewar and Holland Hopson
Moody Music Hall, UA School of Music
810 Second Ave, Tuscaloosa AL

Bridging Circuits and Cities

Tomorrow night I’m performing a new work on Circuit Bridges concert 37.

Thursday October 22, 8pm
Gallery MC
549 W 52nd St, Fl 8th
New York, New York 10019

This concert is part of the Vox Novus Festival celebrating 15 years of work. Vox Novus and Circuit Bridges have teamed up with BAMA in a composer exchange (kind of like hostages, only composers are somewhat more demanding—requiring better food, more liquor—and not as susceptible to audio torture). The exchange began a few weeks ago with the Birmingham Art Music Alliance welcoming a contingent of NY-based composers for the Birmingham New Music Festival. This weekend Monroe Golden, Mark Lackey, Brian Moon, William Price and I are being hosted by Circuit Bridges.

I’ll be performing Alap Catfish Impala,  a new piece for banjo voice and live electronics. It’s a mashup (or maybe a medley?) of clawhammer blues and just-tuned modal improvisations.

Check out the wonderfully eclectic program.

Floating with Hank Lazer in a Drunken Boat

I had the privilege of working with poet Hank Lazer this summer on three sonic realizations on his poem “N27P51” that are now available in issue 22 of the literary journal Drunken Boat.

These works began last spring with recordings of Hank’s students reading phrases from his poem. This summer I edited the recordings, processed them beyond recognition, added more sounds, used the shape of each line from the poem to guide electronic improvisations, and otherwise had a great time designing sounds in the studio. Hank reigned it all in and helped me shape the material into three sections.

Check out the journal for a reproduction of Hank’s visual poetry, or listen to all the audio from the issue below (including a piece by Pauline Oliveros).

Sonic Frontiers Workshop Series Kicks Off Tonight at The Grocery

The Grocery and Sonic Frontiers present a series of monthly participatory workshops beginning tonight and running until June 10. These casual, exploratory music sessions will provide an open and low-pressure environment for interested attendees to investigate improvisation, new compositions, interactive electronics and other musical practices through focused listening, discussion, and hands-on engagement.

The workshops take place at 7 p.m. on the second Wednesday of each month at The Grocery, an artist-run studio, exhibit, and performance space located at 900 Main Avenue, two blocks north of the main intersection in downtown historic Northport.

Bring your instrument, or just come to listen. No previous experience is necessary. The workshops are free and open to the public (a $1-$10 donation is suggested).

  • 1/14, Tim Feeney: new work & conversations
  • 2/11,  Andrew Raffo Dewar: an introduction to Anthony Braxton’s music & “Language Music” and improvisations with attendees
  • 3/11, Holland Hopson: an introduction to and interactive performance of John Zorn’s “Cobra,” celebrating the work’s 30th anniversary
  • 4/8, Andrew Raffo Dewar: new work & guided improvisations with workshop attendees
  • 5/13, Tim Feeney: new work & conversations
  • 6/10, Holland Hopson: new work for performers & interactive electronics and improvisation with workshop attendees

Sonic Frontiers Recordings

IMG_0396

Here are live recordings of my set from the March 2013 Sonic Frontiers concert at the Bama Theater. The concert also featured performances by Justin Peake. Our duo improvisation is included below.

East Virginia

Audio clip: Adobe Flash Player (version 9 or above) is required to play this audio clip. Download the latest version here. You also need to have JavaScript enabled in your browser.

No Mule

Audio clip: Adobe Flash Player (version 9 or above) is required to play this audio clip. Download the latest version here. You also need to have JavaScript enabled in your browser.

Hopson Peake Improvisation

Audio clip: Adobe Flash Player (version 9 or above) is required to play this audio clip. Download the latest version here. You also need to have JavaScript enabled in your browser.

Turnover

Audio clip: Adobe Flash Player (version 9 or above) is required to play this audio clip. Download the latest version here. You also need to have JavaScript enabled in your browser.

Bowling Green Green

Audio clip: Adobe Flash Player (version 9 or above) is required to play this audio clip. Download the latest version here. You also need to have JavaScript enabled in your browser.

The Wayback Machine brings us Hunting & Gathering via YOURfLESh

James Keepnews unearthed this January 2003 review of Hunting and Gathering (our duo recording) written by Peter Aaron and published in YOURfLESh. Aaron writes,

…an undeniable abundance of tracks here that feature truly stellar interplay, as well as inspired improvisation; see the stuttering duet, “Border Incident.” Full of distant, creepy sounds and scattered moments of close, guitar-sax discourse, Hunting and Gathering is an enjoyable mash of breath and circuitry.

Improvising with Tim Feeney

Tomorrow is Tim Feeney’s Faculty Recital–sure to be great solo percussion. Tim, Andrew Dewar, Jubal Fulks and I will close the concert with an improvisation.

Wednesday January 16 2013
Tim Feeney Faculty Recital
Concert Hall Moody Music Building
Tuscaloosa AL