• Read a review of our recent show at Saratoga Arts in Nippertown.
• Listen to the recording of my piece Six Chords Every Rock Guitarist Should Know from the Saratoga Arts performance.
• Listen to an Upstate Soundscape broadcast featuring Eric Hardiman’s Diversion #3.

Wednesday 11/30/11 @ 8pm
51 3rd St.
Troy, NY (former Troy Bike Rescue)

KEIR NEURINGER
composes & improvises acoustic & electronic music, writes socio-political performance texts & essays, & creates interdisciplinary artworks. Keir will play farfisa organ & drums (at the same time!), sing, and play saxophone & electronic…s. intense post-punk songwriter, playing songs off the new Afghanistan album Conquistadors.

HOLLAND HOPSON
is a local avant-gardist and member of the Albany Sonic Arts Collective. Well-versed in a wide variety of musical styles, from the most traditional to the most experimental, Holland will sew together these different musical worlds with pieces for solo banjo and electronics (off his 2011 release Post & Beam), as well as pieces for solo saxophone and electronics.

RAMBUTAN
is local noise/drone wizard Eric Hardiman, member of the Albany Sonic Arts Collective, local psych-rock collective Burnt Hills, and proprietor of TAPE DRIFT records, Albany’s most experimental music label. Eric will be performing a mind-bending set of improvised solo electronics…

intermission videos by LIVING THINGS

Saturday November 12 @ 8pm
Saratoga Arts
320 Broadway
Saratoga Springs, NY

Since joining to performing Rhys Chatham’s Guitar Trio last year, the group has been busy–writing and rehearsing new pieces and naming ourselves Location Ensemble. The group includes Tara Fracalossi, Howard Glassman, Eric Hardiman, Ray Hare, Holland Hopson, Thomas Lail, Jason Martin, Patrick Weklar and Matt Weston.

Here’s the score for my piece on the program: Six Chords Every Rock Guitarist Should Know, inspired by Michael Nyman’s “1-100″ from Decay Music.

Bring hearing protection.

Hopson similarly has no fear of manipulating sound with anything near at hand, be it fingerpicks or a laptop computer.

On “Post & Beam,” however, he actually hews closer to Alan Lomax than Kraftwerk, with a haunting, often mesmerizing album of old songs and new sounds.

Throughout, he plays the banjo straight, with a gentle claw hammer behind his fragile-but-captivating voice. There are aspects of Sam Amidon and Chris Whitley at work here (especially in the original tunes), but Hopson’s individuality shines.

What pulls “Post & Beam” out of folk festival mode are the murmurings behind the songs. Atmospheric tangents (including the voice of NOAA weather radio) bubble and squeak without ever distracting. Oddly, they put an even tighter focus on Hopson’s vocal delivery, especially on appropriated chestnuts like “East Virginia,” “Don’t Let Your Deal Go Down” and “Bowling Green Green.”

There’s a tendency in freak folk towards atmosphere, a wind-blown, gauzy lope. Hopson certainly has it on “Post & Beam,” but his relaxed stride has a purpose, a goal, a destination.

It’s a fascinating journey.

Read the entire article here. And check out Mathew Kane/Disposable Rocket Band’s “Apocalyptic Propulsion Unit” and Kevin Bartlett’s “Songs for the Big Kablooey“

Below are the videos of my solo performances.

This version of “Blackjack David” served as the basis of the performance with Matthew Carefully heard here.

The audio recording of “Everyone Looks to the Sky” was previously posted here.

Matthew Carefully: Should I Sing a Song?

Matthew Carefully: Prayers and Palms

Century Plants: 1 and 2

Holland Hopson: East Virginia

Holland Hopson: My Own True Love

Holland Hopson: Born in the Desert

Holland Hopson: Bowling Green Green

Century Plants and Holland Hopson: Improvisation

Matthew Carefully and Holland Hopson: Blackjack David

Holland Hopson: Fencepost

Saturday, April 16, 8 pm
A Night of Amazing Sounds
Bob Gluck/James Keepnews/Ras Moshe/Dean Sharp
Duojoggle (Mitch Elrod/Mike Lopez)
Holland Hopson and Matt Weston
Valentine’s
17 New Scotland Ave

Here’s a great way to spend Saturday night! This will be the first time Matt Weston and I have performed as a duo, and I’m really excited about playing with such an amazing drummer. Every time we’ve rehearsed it comes out a little differently, so it should be a fun surprise to hear what happens at Valentine’s.

Here’s what the Chronogram says about the show:

“A Night of Amazing Sounds”
April 16. In an out-of-the-ordinary move, the normally straight punk-oriented Valentine’s presents “A Night of Amazing Sounds,” a free jazz/experimental electronics program with the quartet of keyboardist Bob Gluck, guitarist James Keepnews, saxophonist Ras Moshe, and drummer Dean Sharp; Duojoggle, featuring saxophonist-guitarist Mitch Elrod and drummer Mike Lopez; and Hopson-Weston, starring Holland Hopson on sax and laptop and Matt Weston on percussion and electronics. Here’s hoping the venue has similar bills in store. (The Charlie Watts Riots and the Last Conspirators plot destruction April 1; the Downtown Fiction hits April 27.) 8pm. Call for ticket prices. Albany. (518) 432-6572; www.valentinesalbany.com.

The Albany Sonic Arts Collective presents their first concert of 2011 with performances by some of the Capital Region’s most exciting experimental musicians including Century Plants with Matt Weston, Holland Hopson, SoundBarn and Insect Posse.

DEEP FREEZE: Experimental Music for Snowy Times
Saturday, February 19
8:00 pm
Upstate Artists Guild
247 Lark St.
Albany NY
$5 suggested donation

This will be my first Albany show of 2011 and my last performance before heading to the Atlantic Center for the Arts for a residency with David Behrman (more on that later…). I’ll be performing a set of music for soprano sax and computer. My current plan includes a piece using a DIY plate reverb as the primary electronic sound source.

More about the artists after the jump…

About Century Plants:
ASAC members Eric Hardiman and Ray Hare have been collaborating for years as Century Plants, utilizing voice, guitar, and complex electronics setups to create haunting, evocative works.  For this performance, they will be joined by Matt Weston on percussion and electronics, sure to add a new layer of intrigue.
For more information http://www.myspace.com/centuryplants and
http://www.mattweston.com/

About Holland Hopson:
Named by Metroland as the area’s “Best Retro-Futurist,” composer Holland Hopson will present a set of his typically challenging work in a rare solo appearance on soprano saxophone and electronics. Holland is preparing for an upcoming three week residency with composer and live electronics pioneer David Behrman at the Atlantic Center for the Arts in New Smyrna, Florida.
For more information http://hollandhopson.com

About SoundBarn:
soundBarn (Thomas Lail and Patrick Weklar) use heavily processed and prepared guitar to construct ad-hoc compositions that span the space from spare, minimal soundscapes to full-on noise with ever-shifting rhythms, pace and moods.

soundBarn has recently collaborated with Albany Sonic Arts Collective on full-length performances of Rhys Chatham’s famed “Guitar Trio” as well as performances at The soundBarn—a project of artist/musician Lail and artist/gallerist Tara Fracalossi located on what was once Heald Orchards in Valatie, New York.

Lail formerly performed with the experimental trio Lukomski/Majer/Lail  whose improvised sound Metroland weekly recommended ”for those who are turned way on by the gloriously weird guitarscapes of Sonic Youth’s late ’90s SYR recordings, or the dreamy, sometimes atonal soundwaves of Hovercraft…”  Both Lail and Weklar were founding members of the long-ago Albany post-punk band The Fauves.
For more information http://www.soundbarn.blogspot.com

About Insect Posse:
Insect Posse are the prolific and inscrutable Mark Lunt and Chris Bassett, purveyors of noisy yet hypnotic hymns to other worlds of nothingness. This will be their first official ASAC appearance.
For more information http://www.myspace.com/insectposse

About the Albany Sonic Arts Collective:
The Albany Sonic Arts Collective (ASAC) is a grassroots organization dedicated to building a thriving community of listeners and performers of music that exists outside of traditional boundaries. The Collective supports a wide variety of music and sonic art forms, with an emphasis on those that stress freedom and exploration of new ideas. Styles include free improvisation, drone, noise, electroacoustic improvisation, electronic music, avant jazz, and many others. ASAC have been presenting regularly since November 2007. In 2008 the Albany Times Union called ASAC a “sonic bright spot” of the Capital District arts scene.

Saturday December 4 @ 8 pm
The soundBarn
330 Maple Lane
Valatie NY 12184
south driveway
Free

Read more at the soundBarn blog.

Metroland Best of the Captial Region 2010; Cover photo by Alicia Solsman

Metroland’s Best of the Capital Region for 2010 came out last week and I am surprised and pleased to be included as the Best Retro-Futurist. Sure, it’s a made-up category, but it’s a good fit. Here’s what they have to say:

Composer and instrumentalist Holland Hopson has been a contributor to the region’s avant-garde music scene for the better part of 20 year—whether it’s vocal excursions that meld Gregorian chant and Dada, or soprano sax forays that come pretty close to “straight-up” jazz, the breadth and range of this iconoclast’s musical journey has always been intriguing, albeit way outside of the box. Hopson’s recent blending of traditional tunes (performed with vocals and banjo) and subtle electronics has turned him into one of the area’s most mesmerizing and memorable live performers. Catch him if you can, as his local shows tend to be few and far between.

Metroland has identified plenty of other (probably more deserving) best-of recipients including such friends and colleagues as Jason Cosco/Grab Ass Cowboys (Best Noise Wrangler); EMPAC (Best Music Curation) — this ought to read Micah Silver, in my opinion, since he is the Music Curator at EMPAC; The Sanctuary for Independent Media (Best Activist Community Arts Center); and Emily Zimmerman (Best Emerging Curator).

These accolades come on the heels of a conversation with a friend at the latest show presented by the Albany Sonic Arts Collective. We were talking about how important it is for a community of artists to receive some recognition from the local press and the concomitant pitfalls of letting it go to your head. A timely conversation for the former and hopefully we’ll avoid the latter. The ASAC event was a great set of performances, by the way, particularly from Fossils from the Sun (Ray Hare) and Family Battle Snake (Bill Kouligas).