Here are live recordings of my set from November’s show at 51 3rd Street that also included performances by Keir Neuringer and Rambutan (Eric Hardiman). It’s an eclectic set beginning with a slightly dysfunctional performance of
Everyone Looks to the Sky
No one but me would know that the computer is responding to my playing differently than anticipated. Such is the fun of interactive computer music: you just have to work with it, ride with it, fight it, respond to the moment, change your plans. In this case, the conception of the piece is already so circumscribed that the content of the work is hardly changed, though the form is clearly different–and maybe more dramatic as a result.
A recent binge of Indonesian music led me to dust off this piece. I never felt I had worked out the sax part enough when the piece was new, which might account for why I shelved it. Revisiting the piece, I discovered very few indications of what I had intended for the sax part–little more than a scribbled microtonal scale. There’s clearly still work to do here, but I’m less bothered than I might have been in the past by the elliptical playing.
This has become one of my go-to banjo pieces; a surefire way to find my place on the instrument.
Cycling ’74 has posted a new video from the Science Fair they hosted as part of the recent Expo ’74 event in Brooklyn. I show off my extended banjo instrument (along with my unashamedly geeky enthusiasm). My segment runs from 2:16-3:13, but watch the whole thing and marvel at the wonderful, strange things people do with Max (and their own geeky enthusiasms). Other videos in the series can be found here.
And a big shout out to Eric Prust who built the fine fretless banjo (minus the electronics) in the video.
I’m a little late posting this on my own blog, but here it is!
I chose to use Bandcamp for this release because they now support pay-what-you-wish pricing (including FREE!) along with sales of physical media. So far, I’ve been surprised by how many people are buying the physical CD over just the download. I’ve also been surprised by how few people are choosing to pay $0.00 for the album. (Go on…it’s OK!) Most people are sending some of their hard-earned $freedom$ my way in exchange for my music, and I appreciate it. Everything I earn supports the creation and sharing of more music. Bandcamp and PayPal get their share, and the rest goes toward that next imagined sound.
Here are some recordings and photos from my June 19 show at Sedition Gallery in Sydney, Australia. The performance was part of the Left Coast Festival 2010.
The first set consisted of duo improvisations by Holland Hopson, fretless banjo and electronics with Mike Majkowski, double bass.
Next was a wonderful set by Kraig Grady, just tuned vibraphone and Terumi Narushima, just tuned pump organ.