Tomorrow night Jack Wright rolls through town again with his pants leg rolled up and Ron Stabinsky rolled into the mix. They’re playing together as Minimally Disturbing. Also on the bill is a duo of Scott Bazar with drummer Charles Pagano and a new incarnation of Chris Davenport’s Lvmber project. Lvmber features Davenport on drums; Will McGavin, didgeridoo; LaDonna Smith, strings; and myself, electric guitar and electronics. Opening is modular synthesist and former student, Gabe Rosser.
Saturday January 25 7:00pm Creative Improvisation Summit – Minimally Disturbing, Lvmber, more East Village Arts 7611 1st Ave N Birmingham AL 35206
This will by my first time sharing the stage with Jeff Barsky (Insect Factory) and a welcome reunion with Eric Hardiman (Rambutan). Rhizome looks like my kind of place–great concerts, residencies, exhibits, youth programs, and DIY workshops on everything from electronic instruments to fermentation to visual arts. In that spirit, I’ll be performing Crow Chases Red-tailed Hawk–a newer piece for invented instruments and live electronics– along with other works. No Appalachian banjo this time out.
I’m excited to premiere a new work for invented instruments and electronics on Saturday as part of the Birmingham New Music Festival. Crow Chases Red-tailed Hawk uses bullroarers and other instruments that make sound when swung overhead on the end of a string. I’ve been working on prototypes for these instruments–whistles, buzzers, hummers, swoopers–for the last few months and this will be their first public outing.
Birmingham New Music Festival
Mostly Improv Night
October 12, 2019 at 7PM
East Village Arts of Birmingham
7611 1st Ave N, Birmingham, AL 35206
I need help naming the instruments, so please come to the show, listen, and give me your best suggestions for names.
I’m playing at Barking Legs in Chattanooga tonight in an event co-hosted by the Shaking Ray Levi Society. I haven’t been there since 2001 with James Keepnews, so it’ll be great to return.
Sunday October 7 7:30pm
Barking Legs Theater 1307 Dodds Avenue
Along with playing some solo music for banjo and electronics, I’ll be collaborating with dancers and improvisers on a piece with video similar to the image above. I created the video my modeling the behavior of particles interacting with gravity using Processing. After the concert will be a short demo of my sensor-augmented banjo.
Aron Kallay will perform my piece A History of Elevators in Film today at Soundwaves in Santa Monica CA. The concert features selections from Beyond 12, Aron’s project for retuned and remapped keyboards.
Wednesday March 21
Beyond 12 Aron Kallay Soundwaves
Santa Monica Public Library
Martin Luther King Auditorium
601 Santa Monica Blvd
Santa Monica CA 90401
Aron will perform my piece A History of Elevators in Film
A History of Elevators in Film is for piano and electronics with the keys remapped to different pitches in real time as Kallay plays. Here’s video from a 2015 performance at LaGrange College
Tomorrow I’ll be playing a house concert in the newly christened Gin Palace. I’ll perform a solo set for banjos with electronics, and Tim Feeney will play solo percussion. Special guests l’Artiste Ordinaire (Melissa Grey, David Morneau) will perform their work Photon Ecstasy.
October 10 8:00pm
House Concert with
l’Artiste Ordinaire (Melissa Grey, David Morneau), Tim Feeney, Holland Hopson
2120 6th Street
Part of the magic of Holland Hopson’s performances lies in the mystery of just how much he has planned out beforehand and what’s being extemporized. He is a rapt listener to his own performances, nuancing each refrain’s iteration with distinctive stresses, pitch bends, additions, and deletions. He began with a piece he used on the BAMA DIY concert reviewed in August, and yet it came off as freshly conceived and decidedly different, as if he’d made it up on the spot.
His set consisted of eight songs. Highlights included Hopson’s intense lament of forbidden queer love, the ballad “Laurel Cove,” and his hazy and weary “Over Yonder’s Ocean,” which yearned for a beautiful heaven “where the sun swings lowest over yonder’s ocean.”Hopson’s vocals were resonant and full of character. He offered his audience a warm, joking presence in between songs and was a consummate storyteller throughout.