Albany Sonic Arts Presents Lucre and Jonathan Chen

Sunday March 14 @ 8pm
Upstate Artists Guild
247 Lark St.
Albany NY
$5 suggested donation

• Lucre is the improvising trio of Chris Cogburn , Bryan Eubanks, and Vic Rawlings who perform with exposed circuits, extended ampli?ed cello, low-? modular synthesis, and stripped down percussion.
• Jonathan Chen will perform a solo set of music for electronics, viola and violin.

Chris is a good friend from my Austin days and does great work with the No Idea Festival. I’m very excited he’ll be playing in Albany. And I’m equally excited that local artist Jonathan Chen is finally getting a chance to present his work.

More information about the artists after the break…

About Lucre

Working with exposed circuits, extended ampli?ed cello, low-? modular synthesis, and
stripped down percussion, Lucre, the trio of Chris Cogburn (Austin, TX), Bryan Eubanks
(Brooklyn, NY), and Vic Rawlings (Boston, MA), come together for the ?rst time to de-
velop their music for ten days in the Northeast. Long standing duo work exist between
all three and the idea for a trio came about during a gathering of musicians in Seattle
during August of 2009.

Vic Rawlings and Bryan Eubanks are familiar to Albany audiences through two previous
Albany Sonic Arts appearances. Chris Cogburn is making his Capital District debut.
Cogburn is based in Austin, TX where he presents the No Idea Festival, an annual
gathering dedicated to improvised music.

About Jonathan Chen

Jonathan Chen will perform a solo set of music for electronics, viola and violin. The
electronic work is created by producing feedback through a trumpet: a small micro-
phone is positioned in place of the mouthpiece and a small speaker is set next to
the bell. The feedback is altered by pressing or releasing the valves on the trumpet and
by ?ltering the frequencies via equalization and volume control on both an ampli?er and
a mixer. The work for viola, entitled “de-clime” involves the use of a metal mute placed
lightly on the bridge, coupled with bowing while changing pressure and speed. The re-
sulting sounds include difference tones and beating as the pitches gradually move
higher throughout the duration of the 15 minute work. The works for violin focus on tim-
bre and pitch while employing extended techniques such as preparations, sub-tones,
and micro-spiccatto. A wide variety of sounds are produced at dynamic extremes.

Born in 1974, Jonathan Chen is an improvisor, composer, and installation artist. His solo
work has  been presented in cities such as Atlanta, Beijing, Berlin, Chicago, London,
Luzern, New York and more. As a collaborator, Chen has worked with Tatsu Aoki, An-
thony Braxton, Gene Coleman, Nic Collins, Bill Dixon, Ensemble Noamnesia, Flux
String Quartet, David Grubbs, Alvin Lucier, John Zorn (brie?y) and many others, per-
forming both in the U.S. and internationally. Chen received his MM in Violin Perform-
ance from Northwestern University, his MA in Music Composition from Wesleyan Uni-
versity, and is currently working on his PhD in Electronic Arts at RPI in Troy, NY.

091108 Willow Street Improvisation 1.mp3

091108 Willow Street Improvisation 2.mp3

091108 Willow Street Improvisation 3.mp3

Austin American-Statesman Arts Critic Jeanne Claire van Ryzin reviews the latest New Music Co-op concert, Sound in Time, featuring guest cellisst Charles Curtis performing music by Alvin Lucier. This article is another entry in the “Austin’s Other Live Music Scene” series remarked on here

“pushing the boundaries of what classical music can be and how it can be presented in the 21st century. Austin has a tribe of adventurous musicians – composer-performers like Graham Reynolds, Peter Stopschinski, P. Kellach Waddle and Travis Weller; ensemble leaders such as Michelle Schumann and Aurélien Petillot and groups such as the Tosca String Quartet, Audio Inversions and the Invincible Czars – that lead the charge, taking their newly composed classical music to nightclubs, collaborating with filmmakers, dancers and theater companies and otherwise finding ways to challenge the status quo of classical music performance.”

I look forward to reading the rest of the series.

Austin New Music Co-op: Six Bagatelles

Austin New Music Co-op: Behind the Scenes

Austin New Music Co-op: The Becoming Machine IV

Nine Tas

The rest of the concert is knockout good. Let’s hope the Co-op makes it available soon.

The Austin New Music Co-op is presenting a concert of new music for voice on Saturday, April 12 in Austin TX. The concert will feature music by Chris Cuellar, Brent Fariss, Holland Hopson, Keith Manlove, Josh Ronsen and Travis Weller performed by vocalists Ashley Gaar, Kathy Hatch, Deena Hyatt, Wendi Olinger, Anton Boyd, Brandon Young and Kevin Adickes.

The ensemble will be premiering my vocal quartet, Nine Tas (Download the score). I unfortunately won’t be in attendance.

NMC is presenting a number of related events beginning with an open rehearsal tonight, a radio broadcast tomorrow and a pre-concert talk on the 12th. More information about the concert and all the extras.

C. SPENCER YEH (solo violin, electronics)

BRYAN EUBANKS (saxophone) & ANDREW LAFKAS (bass)

MEG CLIXBY (bass, electronics)

The Upstate Artists Guild 247 Lark St.
Albany, NY: Saturday March 22, 2008
Doors at 7:30 pm: show at 8:00
$5 suggested donation at the door

More on the musicians:

C. Spencer Yeh was born in Taipei, Taiwan 1975, moved to the US in 1980; studied radio/television/film at Northwestern University, and is now based out of Cincinnati, Ohio. Yeh is active both as a solo and ensemble artist, as well as with his primary ‘organized sound’ project, Burning Star Core. As an improviser, Yeh has focused on developing a personal vocabulary using violin, voice, and electronics. As a sound organizer/composer, Yeh works with all aspects available surrounding a work, aurally and physically, as elements key to the cumulative experience. He is concerned not only with the sensual aspects of sound, but the gestural qualities as well. Yeh has performed alongside and collaborated with a deep and ever-growing list of artists and groups including Tony Conrad, Evan Parker, Thurston Moore, The New Humans with Vito Acconci, Paul Flaherty and Chris Corsano, John Wiese, Aaron Dilloway, John Olson and the Graveyards, Amy Granat, Jutta Koether, LaDonna Smith, Carlos Giffoni, Okkyung Lee, Atsuhiro Ito, Lasse Marhaug, Audrey Chen, Nate Wooley, JP Feliciano, Rafael Toral, Rhys Chatham’s Guitar Trio All-Stars, Damo Suzuki’s Network, and many others, and has performed across the U.S.A. and Europe in a variety of settings and festivals. Most recently he participated in the 24 Hour Drone People project in Stockholm (and the abbreviated 5 hour version in Amsterdam), alongside artists such as CM Von Hauswolff, Mika Vainio, Joachim Nordwall, BJ Nilsen, Hildur Gudnadottir, Hild Sofie Tafjord, and Mark Wastell. He has also had visual art and video works presented internationally. http://www.myspace.com/cspenceryeh

Bryan Eubanks is a musician and sound artist originally from the Pacific Northwest of the US, and since 2005 he has been living and working in Brooklyn, NY. He works in live electronic settings with an instrument that integrates open-circuits and samplers, as well as working in acoustic settings with the Soprano Saxophone. His primary focus is on collaborative improvisation and solo musical projects, and he consistently works with Andrew Lafkas, Vic Rawlings, and an acoustic chamber ensemble. His work with sound installation is exploring sound as a function of architecture, cognition, and temporality. He has presented his music across the US, Europe, Japan, and Korea and at festivals such as LineSpaceLine in Los Angeles, Erstquake in NYC, No Idea in Austin, Texas, Relay in Seoul, and recently exhibited sound installations at the Portland Art Center and Diapason Gallery for Sound (in collaboration with Andrew Lafkas). He has released recordings on Little Enjoyer, Gameboy, Last Visible Dog, Jyrk, Experimental Musical Research, and Rasbliutto Recordings, a label and online library of sound he founded in 2002. http://www.rasbliutto.net/bryaneubanks

Meg Clixby grew up in Maine and then quitted to Western Mass for eight years. She took a hiatus during that time to live in Brighton, UK where she began to play bass guitar and participated in The Polly Shang Kuan Band. This collaboration continued once back stateside for a NE US mini-tour after which Meg began to play with her WMass brethren in projects such as Duck and Bottoms Up. After moving to Brooklyn, she continued to play with friends indoors but now lives in the woods and jams with herself. Bass, pedals, tape.

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