Austin’s New Music Co-op Turns 10

The Austin New Music Co-op celebrates their tenth anniversary with concerts tonight and tomorrow. Details here; Preview articles in the Austinist and Austin 360. I joined the co-op shortly after it began and enjoyed participating in many memorable events while in Austin.

In honor of 10 years of great co-op concerts, here’s a recording from the September 8, 2006 event featuring Fred Lonberg-Holm. This was the premiere of We Would Like to Take This Opportunity, a work for cello soloist with any three string instruments. The performers here are Fred Lonberg-Holm, cello solo; James Alexander, viola; Steve Bernal, cello; Travis Weller, violin.

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We Would Like to Take This Opportunity.mp3

Here’s the score of the cello part. It includes the other instruments’ parts for most movements.

Post & Beam CD Countdown: Printing

Hot off the letterpress… Here’s a sneak peek at the cover art for my forthcoming CD of music for banjo and electronics titled Post & Beam.

Many thanks to Travis Weller–composer, designer, letterpress operator, more–for all he’s done for this project. (Especially in light of the Austin New Music Co-op’s upcoming concerts of Cardew’s “The Great Learning”. Wish I could be there!)

New Music Co-op: Immersive and in the dark

Austin American-Statesman Arts Critic Jeanne Claire van Ryzin reviews the latest New Music Co-op concert, Sound in Time, featuring guest cellisst Charles Curtis performing music by Alvin Lucier. This article is another entry in the “Austin’s Other Live Music Scene” series remarked on here

Austin’s other live music scene

The Austin American-Statesman is running a month-long series on Austin’s other live music scene: classical music. The first installment mentions the usual establishment players (who, I should point out, do a better-than-usual job with adventurous programming than their national counterparts…).  Also mentioned are some of my much-missed colleagues who are busy

“pushing the boundaries of what classical music can be and how it can be presented in the 21st century. Austin has a tribe of adventurous musicians – composer-performers like Graham Reynolds, Peter Stopschinski, P. Kellach Waddle and Travis Weller; ensemble leaders such as Michelle Schumann and Aurélien Petillot and groups such as the Tosca String Quartet, Audio Inversions and the Invincible Czars – that lead the charge, taking their newly composed classical music to nightclubs, collaborating with filmmakers, dancers and theater companies and otherwise finding ways to challenge the status quo of classical music performance.”

I look forward to reading the rest of the series.

Universal Instrument Videos

Here are some videos from the Austin New Music Co-op‘s recent Universal Instrument concert. The Behind the Scenes segment is especially nice.

Austin New Music Co-op: Six Bagatelles

Austin New Music Co-op: Behind the Scenes

Austin New Music Co-op: The Becoming Machine IV

Nine Tas

I recently heard a recording of the premiere performance of Nine Tas by the Austin New Music Co-op and thought I’d share it here. The singers are Ashley Gaar, Kathy Hatch, Wendi Olinger and Brandon Young

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Nine Tas

The rest of the concert is knockout good. Let’s hope the Co-op makes it available soon.

The Universal Instrument: New Music for Voice

The Universal Instrument

The Austin New Music Co-op is presenting a concert of new music for voice on Saturday, April 12 in Austin TX. The concert will feature music by Chris Cuellar, Brent Fariss, Holland Hopson, Keith Manlove, Josh Ronsen and Travis Weller performed by vocalists Ashley Gaar, Kathy Hatch, Deena Hyatt, Wendi Olinger, Anton Boyd, Brandon Young and Kevin Adickes.

The ensemble will be premiering my vocal quartet, Nine Tas (Download the score). I unfortunately won’t be in attendance.

NMC is presenting a number of related events beginning with an open rehearsal tonight, a radio broadcast tomorrow and a pre-concert talk on the 12th. More information about the concert and all the extras.