Comes and Goes

Here’s a performance of Comes and Goes from the 2016 Birmingham New Music Festival featuring (L to R) Andrew Raffo Dewar, modular synth; Geni Skendo, flutes; Wendy Richman, viola; Holland Hopson, laptop.

The piece is for open instrumentation: four or more performers using electronic and/or acoustic instruments. We chose to perform the sections in the following order: Foothills, Unmatched set of revolving doors, Cirrus – lock of hair, I Send the Rockets Up, Constant Interference. Download the score

Tim Perkis Touch Typing Tonight

I’m so happy to have an opportunity to play with Tim Perkis tonight. Tim will perform a solo set, then Andrew Raffo Dewar and I will join him for a set of improvisations. Tim will be playing his Touch Typing instrument featured in the video below. I first heard Touch Typing sometime in the 1990’s on the excellent Artificial Horizon recording with John Bischoff, so I’m looking forward to hearing Tim in person tonight.

Friday January 27 7:30pm
Sonic Frontiers presents
Tim Perkis
with Andrew Raffo Dewar and Holland Hopson
Moody Music Hall, UA School of Music
810 Second Ave, Tuscaloosa AL

Nine Tas in Malaysia

I just saw these videos from a performance of Nine Tas directed by Mike Edgerton
at the University of Malaya. It’s great to hear the music return to this part of the world, since I began work on the piece while traveling in Thailand, Malaysia and Indonesia.

Cage/Gould, a music circus

Cage/Gould, a music circus from Michael Century on Vimeo.

I’m so happy to share the gorgeous documentation of this event. Along with Cage’s Inlets, Bacchanale and Litany for the Whale, there’s some Gibbons, Bach and Gould. Interspersed through the second part are on-the-fly virtual conversations between Cage and Gould.