Cleaning and organizing for the new year; a place for everything and everything in its place. I’m loving these neoprene cable wranglers. I’ve added one for all my input devices (instruments, pedalboard, sensors) and one for the bundle of USB cables that runs to the laptop. A little dab of hot glue on all the power connectors for the finishing touch.
I’ve traveled long distances for gigs before, but Friday I’ll just walk around the corner and down the street for a backyard concert featuring Kelley McRae and Matt Castelein. (Weather permitting; In the event of rain we’ll be inside.) Kelley and Matt are wrapping up an album release tour for The Wayside. I’ll be opening with a song-oriented set of banjo and electronics pieces including at least one new tune. Hope to see you in the ‘hood!
Friday May 20 6:30pm
1523 13th St
Tuscaloosa AL 35401
Iron Giant Percussion will perform my work Quartet 60x88x120x208 for four metronomes at the Hoover Library Theatre tomorrow. The concert is part of a 20th anniversary celebration of the Birmingham Art Music Alliance. Quartet 60x88x120x208 was performed during BAMA’s first season of concerts (January 22, 1996). It’s one of my more widely performed compositions, but I don’t think it has been heard in Birmingham since then.
Tonight at 6pm I take my turn playing on the Turner Williams Jr. MFA Show. I’ve been bugging Turner as regularly as we run into each other about playing together some day; that some day has finally arrived.
Monday April 25 6pm Turner Williams Jr. : MFA Thesis Exhibition and Performance Series Sella-Granata Gallery
109 Woods Hall
University of Alabama
Come check out Turner’s multi-layered collages and sculptures and his use of video feedback. I’ll be slinging banjo and other electronic implements of destruction/delight. Stay tuned for more musical guests at the exhibition through May 1.
Left to Right: Anthony Braxton, Tim Feeney, Andrew Dewar
Last week I had the privilege of recording as part of a quartet with Anthony Braxton, Andrew Dewar and Tim Feeney. Braxton brought in four new pieces that explored novel ways for the four of us to work together, each piece proceeding a little further into the unknown. The sessions were intense—demanding focus and attention to the notation while also requiring us to be flexible and adventurous improvisers. An amazing experience.