Biblio Spectaculum

Biblio Spectaculum postcard

I’m happy to have a piece included in the Biblio Spectaculum exhibit at Main Street Arts in Clifton Springs, NY. The show is a national exhibition of artist books and text-based visual works juried by Scott McCarney. My piece “A Work of Art for Every Entry in Index—Subjects—Library of Congress” uses an algorithm to generate an endless stream of descriptions of possible art objects.

The gallery is open by appointment only, or check out this nice collection of images from the show.

2019 Faculty Biennial Exhibition

Still from Brush Mind: Second Hand

The University of Alabama’s Department of Art and Art History’s 2019 Faculty Biennial Exhibition opens today. I’m showing three works:

  • Brush Mind: Second Hand – a collaboration with Jane Cassidy and Hank Lazer (a still from the piece is above)
  • Pink Noise – a new piece of sound art
  • A Work of Art for Every Entry in Index—Subjects—Library of Congress – a new piece of generative computer art

Two other new faculty are exhibiting work:  Jonathan Cumberland and Wade MacDonald. Featured artists also include William DooleyAllison GrantJason GuynesChris JordanSarah MarshallGiang PhamPete SchulteSky ShinemanBryce Speed, and Craig Wedderspoon.

The exhibit runs through October 11, 2019. Hours are Monday through Friday 9:00am – 4:30pm. An opening reception will be held on Thursday, September 5 from 5-7pm.

Sonifying the Unlikely

I’m participating in a panel discussion on unusual sound sources at Southern Sonic today. The panel is moderated by Dan Sharp and includes Andrew Raffo Dewar, Tim Feeney, Taylor Lee Shepherd and Rick Snow.

Saturday 5/12 2pm
Sonifying the Unlikely as a Practice in Contemporary Music and Sound Art
Southern Sonic
Contemporary Arts Center
New Orleans LA

Looking forward to a lively discussion!

Brush Mind: At Hand

October 17-19
Brush Mind: At Hand
University of Alabama
Sella Granata Gallery
Tuscaloosa AL

Text/lettering: Hank Lazer
Video: Jane Cassidy
Music: Michael Harp & Aaron Dues; Andrew Raffo Dewar; Holland Hopson

Worldlines Premieres at AEIVA

Worldlines, my brand-new piece for three or more sustaining instruments, gets its premiere tonight at the Abroms-Engel Institute for Visual Arts in a concert of chamber music inspired by Jessica Angel’s site-specific installation Facing the Hyperstructure.The program features three other world premiere compositions by Monroe Golden, Kyle McGucken, and Tom Reiner.

The pieces will be performed by Hillary Tidman, flute; Diana Dunn, oboe; Kathleen Costello, clarinet; Tariq Masri, bassoon; and Kevin Kozak, french horn. The event begins at 5pm with a reception and time to take in the artwork, followed by the concert at 5:30pm.

Friday April 7 5:00pm
Chamber Music at AEIVA: Air in a Loop
University of Alabama at Birmingham Abroms-Engel Institute for Visual Arts
1221 10th Avenue South
Birmingham AL 35205
5:00pm Reception and art viewing
5:30pm Concert

Like many of my recent scores, the musicians performing worldlines determine the moment-to-moment shape of the music. In this case, all of the musicians share the same written material and use hand-signals to determine how they navigate through it. One hand signal may cue players to repeat their current phrase, while another may cause them to read backwards through the score.

Here I am trying out a pair of ChromaDepth glasses surrounded by Jessica’s artwork. The glasses add a sense of depth to Angel’s vividly-colored environment.