Everyone Looks to the Sky
No one but me would know that the computer is responding to my playing differently than anticipated. Such is the fun of interactive computer music: you just have to work with it, ride with it, fight it, respond to the moment, change your plans. In this case, the conception of the piece is already so circumscribed that the content of the work is hardly changed, though the form is clearly different–and maybe more dramatic as a result.

Batak Batak
A recent binge of Indonesian music led me to dust off this piece. I never felt I had worked out the sax part enough when the piece was new, which might account for why I shelved it. Revisiting the piece, I discovered very few indications of what I had intended for the sax part–little more than a scribbled microtonal scale. There’s clearly still work to do here, but I’m less bothered than I might have been in the past by the elliptical playing.

East Virginia
This has become one of my go-to banjo pieces; a surefire way to find my place on the instrument.

Curlew
A brand-new piece getting its first public airing. I learn so much by performing new material and can’t wait to revise this tune as a result. Yet another song with bird imagery (YASWBI).

Various Artists: Music for Merce (box set)
A massive collection that celebrates the musical legacy of the Merce Cunningham Dance Company. Great work by Christian Wolff, Pauline Oliveros, Takehisa Kosugi, Maryanne Amacher, John King, David Behrman and especially David Tudor. It’s astounding (and initially a little frustrating) that even with 10 CDs, many of the pieces are presented as excerpts. But hearing applause at the end of the live recordings reminds me that the pieces often lasted until the dance was over, and then they were over, too.

Ensemble vocal de Girokastër: Albanie – Polyphonies Vocales du Pays Lab
Mesmerizing choral music from Albania.

Otherwise, 2011 was the year of some exceptional music by many of my musician friends. Their work easily stands up against many of the releases from more established labels. In some cases, the work appears on established labels. In any case, the distinction between DIY and “signed artist” seems increasingly irrelevant. So I’m not hesitant to trumpet this work at all. I’m more concerned about leaving out some deserving recordings simply because there’s so much new material to consider. If we’re friends (I hope we are) and I don’t mention your work below, it’s probably because I haven’t listened to it yet. We’re still friends–I can’t wait to finally catch up on what you did in 2011 and hear what’s to come in 2012.

The Black Drumset: The Black Drumset
The crunchiest breakfast cereal.

Brent Fariss: Four Environments…Collapsing
Spooky action at a distance.

Matt Weston: The Last of the Six-Cylinders
A richly textured and surprisingly elegant electrified junkyard.

Jefferson Pitcher: Now the Deer
The quiet surface of a deep deep pool.

Bob Gluck / Joe Giardullo / Christopher Dean Sullivan: Something Quiet
My favorite kind of heterophony.

Here are a few other recordings that left their mark on my ears this year.

• Various Artists: Music of Indonesia (multiple volumes) Daedalus Books has these on sale. I bought them all.
• Michael Nyman: Decay Music
• King Creosote and John Hopkins: Diamond Mine
• Various Artists: The Friends of Old Time Music (box set)
• Little Richard: The Georgia Peach
• Kepler Quartet: Ben Johnston: String Quartets Nos. 2, 3, 4 & 9
• Laura Viers: July Flame
• Dave Douglas: Keystone

Had a great time building a cigar box guitar under the direction of John Nickel at Nickel Cigar Box Guitar.

Here’s a detail of the piezo pickup that we installed in the cigar box. The small block of wood on the left is later glued to cover the piezo element.

Cycling ’74 has posted a new video from the Science Fair they hosted as part of the recent Expo ’74 event in Brooklyn. I show off my extended banjo instrument (along with my unashamedly geeky enthusiasm). My segment runs from 2:16-3:13, but watch the whole thing and marvel at the wonderful, strange things people do with Max (and their own geeky enthusiasms). Other videos in the series can be found here.

And a big shout out to Eric Prust who built the fine fretless banjo (minus the electronics) in the video.

• Read a review of our recent show at Saratoga Arts in Nippertown.
• Listen to the recording of my piece Six Chords Every Rock Guitarist Should Know from the Saratoga Arts performance.
• Listen to an Upstate Soundscape broadcast featuring Eric Hardiman’s Diversion #3.

UAG has been a welcome host for many Albany Sonic Arts Collective performances and plays a similarly vital role for many other grass-roots arts organizations and presenters. UAG has also been an important force behind the First Friday events. Support UAG today.

Wednesday 11/30/11 @ 8pm
51 3rd St.
Troy, NY (former Troy Bike Rescue)

KEIR NEURINGER
composes & improvises acoustic & electronic music, writes socio-political performance texts & essays, & creates interdisciplinary artworks. Keir will play farfisa organ & drums (at the same time!), sing, and play saxophone & electronic…s. intense post-punk songwriter, playing songs off the new Afghanistan album Conquistadors.

HOLLAND HOPSON
is a local avant-gardist and member of the Albany Sonic Arts Collective. Well-versed in a wide variety of musical styles, from the most traditional to the most experimental, Holland will sew together these different musical worlds with pieces for solo banjo and electronics (off his 2011 release Post & Beam), as well as pieces for solo saxophone and electronics.

RAMBUTAN
is local noise/drone wizard Eric Hardiman, member of the Albany Sonic Arts Collective, local psych-rock collective Burnt Hills, and proprietor of TAPE DRIFT records, Albany’s most experimental music label. Eric will be performing a mind-bending set of improvised solo electronics…

intermission videos by LIVING THINGS

Download the score as a pdf file: fencepost.pdf
Download the score as a Lilypond .ly file: fencepost.ly

Notes on Fencepost

• The cFCFAb tuning is one I came to after trying a more standard minor (fCFAbC) or sawmill (cFCFG) tuning. I use a Pythagorean temperament based on F which doesn’t change the tuning of the C’s and F’s very much, but makes the Ab significantly flatter than an equal-tempered Ab.
• The whooshing, windy sound throughout (heard prominently during the intro) is generated by walking on a pair of foot pedals, almost the way you would pump an old pump organ. (You can see this motion in the video.)
• While recording, I kept missing the foot pedals and accidentally stepping on a mic stand instead. I decided to embrace the resulting bass drum thumps and include them in the piece.
• Yet another song with bird imagery (YASWBI).

Saturday November 12 @ 8pm
Saratoga Arts
320 Broadway
Saratoga Springs, NY

Since joining to performing Rhys Chatham’s Guitar Trio last year, the group has been busy–writing and rehearsing new pieces and naming ourselves Location Ensemble. The group includes Tara Fracalossi, Howard Glassman, Eric Hardiman, Ray Hare, Holland Hopson, Thomas Lail, Jason Martin, Patrick Weklar and Matt Weston.

Here’s the score for my piece on the program: Six Chords Every Rock Guitarist Should Know, inspired by Michael Nyman’s “1-100″ from Decay Music.

Bring hearing protection.

Download the score as a pdf file: my-own-true-love.pdf
Download the score as a Lilypond .ly file: my-own-true-love.ly

Notes on My Own True Love

• I found this melody in John and Alan Lomax’s Our Singing Country. I worked out the two-finger, thumb lead banjo part to highlight the double drones of the first and fifth string. The vocal style is haunted by the ghost of Roscoe Holcomb.
• The electronics part uses an FFT freeze frame technique to create an evolving texture by extending a single frame of audio from the banjo (and sometimes voice). Applying pressure to force sensitive resistors mounted on the head and neck of the banjo changes the amplitude contour of the FFT synthesis, making the resulting sound smoother or spikier.